https://www.carrieperreault.com/april-2013 daily 0.75 2014-11-02 https://www.carrieperreault.com/january-2013 daily 0.75 2014-11-01 https://www.carrieperreault.com/sculpture-various daily 0.75 2020-12-13 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498450046799-9W6ECYVLJUL86U50UBG2/01+objects+carrie+perreault.JPG Various https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500518862154-CQ5IMA4XLQHJ88794D66/05+objects+carrie+perreault.JPG Various - Invisible Boundaries, 2012 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469325787937-NYLDQ1G6EHSJ4X7ES0WI/CP+Keyboards.JPG Various - Let's See Where the Night Goes, 2016   Materials sourced from the flea market draws inspiration from the 1987 dystopian novel by Paul Auster. The text embedded into three keyboards acts as a mode of communication to advise those who come after. 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The text embedded into three keyboards acts as a mode of communication to advise those who come after. The keys have been rearranged to read: "GENERAL FEELINGS OF LONELINESS LINGER / YOU MUST GET USED TO DOING WITH AS LITTLE / AS YOU CAN LETS SEE WHERE THE NIGHT GOES". https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469325715091-CAI97TUMXZFUAYJAVEBH/CP+Keyboards.JPG Various - Let's see where the night goes Materials sourced from the flea market draws inspiration from the 1987 dystopian novel by Paul Auster. The text embedded into three keyboards acts as a mode of communication to advise those who come after. 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Artist Talk at Taipei Artist Village https://www.carrieperreault.com/at-the-moment/2014/10/24/ill-be-in-the-studio monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469376900377-IUDE5GK6509OH8QLX6JR/image-asset.jpeg ATM - I'll Be In The Studio https://www.carrieperreault.com/at-the-moment/2014/10/24/taipei-artist-village monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469675335373-LQSJTGTP9ZM6KDEKOOXT/image-asset.jpeg ATM - Taipei Artist Village https://www.carrieperreault.com/at-the-moment/2014/10/24/newton-awards monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469675157292-PBAIIIJ00HS06A1BCZPJ/image-asset.jpeg ATM - Newton Awards https://www.carrieperreault.com/at-the-moment/2014/10/24/canada-council-for-the-arts monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469337502573-WI1PVK8VBAXLTP0WYNND/image-asset.jpeg ATM - Canada Council for the Arts https://www.carrieperreault.com/at-the-moment/2014/10/24/regan-peacock-fung-memorial-fund monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469674851208-YE7M3ZZ1N52JUMC0Q95U/image-asset.png ATM - Regan Peacock-Fung Memorial Fund https://www.carrieperreault.com/at-the-moment/2014/10/24/ephemeral-sculptures monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469674695824-L9QHBMRJ2PZI1C9F2GCU/image-asset.png ATM - Ephemeral Sculptures https://www.carrieperreault.com/at-the-moment/2014/10/24/the-promise-that-tomorrow-made-yesterday-1 monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469375539394-SNPLHDP2XGD92K3OZY9W/image-asset.png ATM - The Promise That Tomorrow Made Yesterday https://www.carrieperreault.com/at-the-moment/2014/10/24/field-recordings-1 monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469674169691-S2Y8UY1JU52PZ463PGVT/image-asset.png ATM - Field Recordings https://www.carrieperreault.com/at-the-moment/2014/10/24/i-cant-eat-anymore monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469374427678-7J7PLUP712YRHF5TKT5D/image-asset.jpeg ATM - I Can't Eat Anymore https://www.carrieperreault.com/at-the-moment/2014/10/24/before-you-were-here monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469673890587-DIMRJSBH5DN83FIZFO89/image-asset.jpeg ATM - Before You Were Here https://www.carrieperreault.com/at-the-moment/2014/10/24/the-promise-that-tomorrow-made-yesterday monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469673563774-55ACQCKTQ26J61EZOE8C/image-asset.jpeg ATM - The Promise That Tomorrow Made Yesterday https://www.carrieperreault.com/at-the-moment/2014/10/24/is-that-all-there-is monthly 0.5 2019-03-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469374853095-641O1K01AT0V7OFKV8MH/image-asset.jpeg ATM - 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Diamond Island (Koh Pich), 2013 19 x 13 inches https://www.carrieperreault.com/untitled-2013 daily 0.75 2017-07-23 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010515902-DLO90V1SWMKAG4CWPT84/01+fruit+carrie+perreault.jpg Untitled, 2013 - Untitled, 2013 Image 4.5 x 5.5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010515902-DLO90V1SWMKAG4CWPT84/01+fruit+carrie+perreault.jpg Untitled, 2013 - Untitled, 2013 Image 4.5 x 5.5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010514704-BK2PPT6KANL5PDCG70JQ/02+fruit+carrie+perreault.jpg Untitled, 2013 - Untitled, 2013 Image 4.5 x 5.5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010519919-8BR0SSC8L2MDEJBVI9Y9/03+fruit+carrie+perreault.jpg Untitled, 2013 - Untitled, 2013 Image 4.5 x 5.5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010520851-7H3R5394MJSEEQCX0KX5/04+fruit+carrie+perreault.jpg Untitled, 2013 - Untitled, 2013 Image 4.5 x 5.5 inches Paper 14 x 20 inches Edition of 3 https://www.carrieperreault.com/untitled-2010 daily 0.75 2017-07-23 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010420050-WL2GS6ZQA64RH3PMQMEX/01+green+carrie+perreault.jpg Untitled - Untitled, 2010 Image 3.75 x 5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010420050-WL2GS6ZQA64RH3PMQMEX/01+green+carrie+perreault.jpg Untitled - Untitled, 2010 Image 3.75 x 5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010420853-FAXFCW3809F3ACVZIYV4/02+green+carrie+perreault.jpg Untitled - Untitled, 2010 Image 3.75 x 5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010429126-YQMXVXUAXLJ3TAFFNU6C/03+green+carrie+perreault.jpg Untitled - Untitled, 2010 Image 3.75 x 5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010429674-85VKLY3FPDGTTPYEUOD2/04+green+carrie+perreault.jpg Untitled - Untitled, 2010 Image 3.75 x 5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010435889-YIM63U31ON5N7W9TP606/05+green+carrie+perreault.jpg Untitled - Untitled, 2010 Image 3.75 x 5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010437497-ANE1ECIF606PTX4XC10M/06+green+carrie+perreault.jpg Untitled - Untitled, 2010 Image 3.75 x 5 inches Paper 14 x 20 inches Edition of 3 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010439609-OIAGPXXOGC0A9C6QR3JT/07+green+carrie+perreault.jpg Untitled - Untitled, 2010 Image 3.75 x 5 inches Paper 14 x 20 inches Edition of 3 https://www.carrieperreault.com/the-way-i-see-it daily 0.75 2017-07-23 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010603728-3JX0EYMICHH11WWPDOWV/2.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010603728-3JX0EYMICHH11WWPDOWV/2.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010603200-6PZJNBV3NL1G0B7Z6K8S/3.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010605900-UEFUPDHWW1BEPECX6J2A/4.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010608979-0M4QFWFEUNN4YIU0F9LM/8.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010608984-T4G14A83UX7KG9GK5WCM/11.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500787687415-6SJSBSKXXDLAMQOVJRP6/1.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500787704096-UOHG320BNWEAHXE6JJK8/5.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500787716800-NPY3IY470LKBDTWTLTL5/6.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500787719977-N3RUAON0NBVM4IIUYH18/7.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500787743219-ZW4MSAIRWNC3WU6X4F9J/9.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500787751732-2V2IW031WSLXDUCMOCUQ/10.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500787756478-2YWAC1GHHAHY0TMGTHVQ/12.jpg The Way I See It - The Way I See It, 2011 14 x 20 inches https://www.carrieperreault.com/where-we-live daily 0.75 2017-07-23 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010691706-UN09QOO101BZ24DM9B72/01+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010691706-UN09QOO101BZ24DM9B72/01+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010690808-KOFJIGZMUUN7XUCQLHGC/02+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010701664-NKMLJQZB38NTIRQFJ80G/03+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010701516-VTAGB9BMJUIFD634MD9S/04+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498010707322-H6NGOGZPP58HPS856VCZ/05+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177831862-0XMHU412WMVJCV89E246/06+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177831798-G5GZF4F6XG5NQ0WMNBZW/07+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177840885-3RA3TIUNAR096Q832X9Y/08+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177840908-KBOMFIN775XYTPZKQAAP/09+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177848606-SEU9LWPTYKADULMDQIPI/10+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177848747-HEVLZFQFD3QDVGO1TY7S/11+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177856407-97MRB6SY28CQBWEKONN8/12+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177874813-M4Z4YESC8SRNV7PJIFTS/17+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177882350-45Z52QXOE5Q8XA0RQFKY/18+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177882361-HDZU4RSUIPL1GB2F33XC/19+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177890831-WRW95Q3NLXSXJ2EM0M66/20+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177888848-6XJIO75PCXV958BSC608/21+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177898947-Q2M6C4TNB1S1STWK7X1E/22+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177901720-3GS3ECL2GUCZVA0VXOOX/23+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177906829-OQ1OXEDL1CW3HO2I7JV6/24+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177909892-KDJZAJYA8TCHGAN1RXM5/25+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177915436-JSUP0A4T3HQB2GX723TD/26+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177927140-2IDVMUSHGLVFR7J47C1V/27+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177931715-EU81YK9SEN5NSUW4QP42/28+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177934280-1HUDGO12IHQOR57K4F9N/29+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177939416-6Q6642AOHLYSO5LE8XC6/30+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177942544-92WU7KXGVNYAM4QIT40O/31+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177946828-533809868BZUMZJYY0JK/32+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177952625-C8VZKS0R1K1QKEH0FV26/33+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177960475-UT9YR8TUUDAG871PBDDJ/34+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177962948-SW34VVSGTDRKNH298OJS/35+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177971288-JIDRHAOG8W50J85KZ1YT/36+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177969494-RFV20O51YBQQGQXE81S7/37+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177977091-AP9R1DDVQOXYRTUKCJK5/38+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177978758-LMBQNY7V7EGNP8SSGVA3/39+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177986639-SSVCKXJZUVZMFC9MRQDH/40+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177991160-500YGGJ6PG8VSVEM4516/41+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498177998955-J1ZN67QDXA0OBZLUC4A2/42+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498178001664-7N303443G4IVHABLZ2ES/43+houses+carrie+perreault.JPG Where We Live - Where We Live, 2010 4 x 6 inches https://www.carrieperreault.com/ive-always-taken-the-weather-personally daily 0.75 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022324207-OC59J1MTYAGPXEV89ELE/01+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022324207-OC59J1MTYAGPXEV89ELE/01+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022324083-W3A0918T8CYL5FZUYXT5/02+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498098419181-3CVY4TSD6SO1B8NNRXJ5/with+black+2.jpg I Have Always Taken the Weather Personally https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498021496344-1SQZI7O8BTGRZWD087BV/01+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022325266-TO3JDXOOCMD2TQWEQWZR/03+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022325593-QRIH34KNRNP0ZL1FMFCJ/04+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022326123-LMERAG1MZNYO8A4DSXTN/05+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022326939-89F6QEX05SY4RMLYEKT6/06+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022327169-J8FANVN32KHRD4I64TUN/07+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022328768-N6EL27E0P5I97Y0XP91Y/08+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022328338-J42HNBJ1SEUX5V61I1YJ/09+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022329111-IC9PEALTGPS8GZ1PFTK1/10+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022329696-BJ0Q52AU8V3L7TZH7N75/11+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022329985-9YF7JSYVW20A7K81Y23C/12+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022330882-RCKTNXZFSMNDFF5BUHWG/13+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022331115-XTNM7KIG30GO9B08Z3WU/14+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498022331995-KPHFOQVTCPZHDUKYFU2H/15+weather+carrie+perreault.jpg I Have Always Taken the Weather Personally - I Have Always Taken the Weather Personally, 2017 Etching, screen print and mixed media 15 x 22 inches Varied Edition of 15 + 1 OSP + FP I Have Always Taken the Weather Personally is a varied edition of prints exploring material accumulation, erasure and the tension between process and appearance. Through exhaustive layering of etching, screenprinting and unconventional materials—including masking tape, watercolour, spray paint, rubber latex, graphite, correction fluid and wood ash—the works conceal the evidence of their own making, leaving surfaces that appear almost untouched. The title comes from artist Roni Horn’s reflections on weather, uncertainty and the limits of human control: “The weather is constant in its indifference to us and unpredictable in every other way. It keeps circumstance complex and beyond our final control. I think it is essential to have something that tells us who we are. And weather has a way of doing this. I have always taken the weather personally.” — Roni Horn With thanks to Open Studio and the Jeannie Thib Mentorship Residency for making this work possible. https://www.carrieperreault.com/june-2017 daily 0.75 2017-07-01 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498446941895-HI9X0J9BM8Q4AVHZ96E8/pool+carrie+perreault.jpg June 2017 https://www.carrieperreault.com/july-2017 daily 0.75 2017-08-10 https://www.carrieperreault.com/gifs daily 0.75 2017-10-18 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500865019629-OJGGC1O8ITF6VIUEGKNM/body+reyes+filter.jpg Gifs https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1499538315837-5DMWUQAVU16T5Z9JJR7B/body-reyes-filter.gif Gifs https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1499536036478-RCFWO54HXZPB8ZLS7RHX/many-an-body.gif Gifs https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1499536073554-6ITNM3R6O31LR9AG3O8N/layers-of-kevin.gif Gifs https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1499993322719-Z2W5ZR44UQF8K4SVJ0YJ/celery+carrie+perreault.gif Gifs https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1503020755306-VGEAD9ESER8NWVBSDY2W/FINAL+fucking.gif Gifs https://www.carrieperreault.com/fiber daily 0.75 2021-12-14 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500795073491-58TJRTD35DTON6NXWZOB/01+demo+carrie+perreault.jpg Fiber - Taiwan #1, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500793107277-T5H1VOCDG4580RLR40KT/02+dem+carrie+perreault.jpg Fiber https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500795073491-58TJRTD35DTON6NXWZOB/01+demo+carrie+perreault.jpg Fiber - Taiwan #1, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500795226016-BOWR58E39D3G3KYI1NSL/02+demo+carrie+perreault.jpg Fiber - Taiwan #2, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500796134015-BFSY1DJU8QO1EAIECATZ/03+demo+carrie+perreault.jpg Fiber - Taiwan #3, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500830957888-R9GMSE6WWXMZ47J1K6CE/04+demo+carrie+perreault.jpg Fiber - Taiwan #4, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500797056633-3TPOO5JU30L4PVQA08OZ/05+demo+carrie+perreault.jpg Fiber - Taiwan #5, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500819085232-LI0Z5KQCJNHO1TL0FNP6/06+demo+carrie+perreault.jpg Fiber - Taiwan #6, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500828432728-AXLWNSNP4M42NX2HF7T4/07+demo+carrie+perreault.jpg Fiber - Taiwan #7, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500829170300-TRNRVB6NZHTA9TO8E2XL/08+demo+carrie+perreault.jpg Fiber - Taiwan #8, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1525041845717-5HD4O1DF167H59ESRNSU/09+demo+carrie+perreault.jpg Fiber - Taiwan #9, 2014 Bamboo and raffia, 20 x 20 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500830512802-UC7N6WZMU771H3NRJ0HN/10+demo+carrie+perreault.jpg Fiber - Taiwan #10, 2014 Bamboo and raffia, 20 x 20 inches https://www.carrieperreault.com/august-2017 daily 0.75 2017-10-25 https://www.carrieperreault.com/too-far daily 0.75 2017-09-17 https://www.carrieperreault.com/too-far/2017/9/4/this-has-got-to-stop monthly 0.5 2017-09-17 https://www.carrieperreault.com/september-2017 daily 0.75 2017-10-25 https://www.carrieperreault.com/october-2017 daily 0.75 2017-12-12 https://www.carrieperreault.com/november daily 0.75 2017-12-12 https://www.carrieperreault.com/december-2017 daily 0.75 2017-12-12 https://www.carrieperreault.com/its-kind-of-like-that-but-not-really daily 0.75 2018-11-10 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1541864885221-FA73COAVZQXYVCNLMCE4/brush-FINAL_it%27s+kind+of+like+that+but+not+really.jpg It's Kind of Like That but Not Really https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1541863300563-935E81TN0H3HKU4NV6S9/it%27s+kind+of+like+that+but+not+really.jpg It's Kind of Like That but Not Really https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1541864643522-8UJC2D9XO5YBN129LMS1/brush-FINAL_it%27s+kind+of+like+that+but+not+really.jpg It's Kind of Like That but Not Really - It's Kind of Like That But Not Really, 2018 Screen print and mixed media, 22 x 30 inches Varied Edition of 6 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1541863613010-QHIQST624JWAPKK1QYNC/white-FINAL_it%27s+kind+of+like+that+but+not+really.jpg It's Kind of Like That but Not Really https://www.carrieperreault.com/video-performance daily 0.75 2026-04-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1580780912419-2BMJUTWYIJM79ZD7KM9J/image-asset.jpeg Video - For once in your life, just let it go, 2018 00:30:30 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1580780912419-2BMJUTWYIJM79ZD7KM9J/image-asset.jpeg Video - For once in your life, just let it go, 2018 00:30:30 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1580780912405-LL2L3F5BB62C9LXXP6FJ/image-asset.octet-stream Video https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1580780987969-9VZGZ35QSK8NANCA35M6/image-asset.jpeg Video - Untitled, (Eggs), 2018 00:05:05 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1580781064861-RGCVPGXUW8Z027TALE2W/image-asset.jpeg Video - Several Attempts to Stop Crying on Demand, 2013 00:04:44 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1580781085618-B6GAJZMZC1C0PWDBNQBC/image-asset.jpeg Video - The crying just doesn't seem to end (The dying of the light), 2014 00:06:22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1580781351191-7S8UVLJ9NNUI6V7962DK/image-asset.jpeg Video - Shifting Currents, 2014 A two-day performance moving rocks from one side of an empty typhoon riverbed to the other. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1580781948298-47JPYKV9VZO07G5L9707/image-asset.jpeg Video - I can't eat any more, 2013 I can't eat any more is a performance by Mr.Vuthy and Phally. As explained, each of them eats bananas until they cannot eat anymore. Once full, they’re instructed to continue to eat. They do so with discomfort. https://www.carrieperreault.com/writing-about-carrie daily 0.75 2026-10-21 https://www.carrieperreault.com/writing-about-carrie/2020/2/3/concealed-revealed-by-lucy-r-lippard monthly 0.5 2022-03-11 https://www.carrieperreault.com/writing-about-carrie/2020/2/3/knowing-hurt-and-seeking-salve-by-sky-goodden-eb2tn monthly 0.5 2022-03-11 https://www.carrieperreault.com/writing-about-carrie/2020/2/3/knowing-hurt-and-seeking-salve-by-sky-goodden monthly 0.5 2022-03-11 https://www.carrieperreault.com/sky-recordings-2020 daily 0.75 2020-12-09 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588462738368-6Z9RASEBCYCZBF6SGUJ3/image-asset.jpeg Sky Recordings 2020_05_01 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588462738368-6Z9RASEBCYCZBF6SGUJ3/image-asset.jpeg Sky Recordings 2020_05_01 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588447823574-I6I7WCQJT4U23ST68SQS/image-asset.jpeg Sky Recordings 2020_05_01 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588461176644-VPZ48N17D4MSZGNVA0P1/image-asset.jpeg Sky Recordings 2020_05_02 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588652389985-W95RR8LMYTDUTFI7UDF0/image-asset.jpeg Sky Recordings 2020_05_04 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588812285840-BZA9MHPRENITIJ74016V/image-asset.png Sky Recordings 2020_05_06 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588891353763-OYEH11B9G5LNCTEEWL41/image-asset.jpeg Sky Recordings 2020_05_07 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588974989770-JC2L9WNT5DS3HNWIXZP3/image-asset.jpeg Sky Recordings 2020_05_08 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1589071871913-IZR4CLO6NXOCLK59SM03/image-asset.jpeg Sky Recordings 2020_05_09 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1589207680674-OKNJ0BCQCHSAWG6I1XPR/image-asset.jpeg Sky Recordings 2020_05_10 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1589213763454-WY4K87PMNWQ641PIQ2HF/image-asset.jpeg Sky Recordings 2020_05_11 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1589340334061-6BITXHU1S24CO5QCMYNP/image-asset.jpeg Sky Recordings 2020_05_12 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1589405782732-QJH7KU24Q875LNB8HCE5/image-asset.jpeg Sky Recordings 2020_05_13 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1589492457415-JS24LIJ0U1O4IX9GGSQ5/image-asset.jpeg Sky Recordings 2020_05_14 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1589682471622-2GP6FB0A2YD1H0X9TDP9/image-asset.jpeg Sky Recordings 2020_05_15 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https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200364009-IWKR64RIUJQ76E5QCOAM/image-asset.jpeg Sky Recordings 2020_10_20 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200387378-5KUDSPB4N7Z6CIJOTQB5/image-asset.jpeg Sky Recordings 2020_10_22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200408070-3ZS7ET1JPHLJM9BPDK0Q/image-asset.jpeg Sky Recordings 2020_10_23 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200428838-8XIIGNZ1QU6V8KHH25PZ/image-asset.jpeg Sky Recordings 2020_10_24 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200452464-YM1OCG82F1HXDEZWFR3A/image-asset.jpeg Sky Recordings 2020_10_25 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200473780-G6SVL77584X6QM9ZZJQZ/image-asset.jpeg Sky Recordings 2020_10_26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200491436-8GAL0G7IMVRV1WRQKQ2W/image-asset.jpeg Sky Recordings 2020_10_28 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200511181-QD2RXTLFD6W8EHDTM9RJ/image-asset.jpeg Sky Recordings 2020_10_30 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1604200535737-C3MEN660ZHSRLC3R1QDT/image-asset.jpeg Sky Recordings 2020_10_31 https://www.carrieperreault.com/im-ambitious-when-giving-up daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588450636098-ZH8GEEX1K7TAHT569USO/image-asset.jpeg I'm Ambitious When Giving Up - Royal Palace - Phnom Penh, 2013 I'm Ambitious When Giving Up is an on-going project, of riding a stationary bicycle in an area where critical attention has been drawn, but momentum has become stagnant. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588450636098-ZH8GEEX1K7TAHT569USO/image-asset.jpeg I'm Ambitious When Giving Up - Royal Palace - Phnom Penh, 2013 I'm Ambitious When Giving Up is an on-going project, of riding a stationary bicycle in an area where critical attention has been drawn, but momentum has become stagnant. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588450867430-WI4HU6UPAPWG87968JR2/IMG_9388_final_image_used.JPG I'm Ambitious When Giving Up - Beoung Kak – Phnom Penh, 2013 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588450923580-4TF0S9VJW8BGXVC2V76X/image-asset.jpeg I'm Ambitious When Giving Up - Cambodia-Vietnam Friendship Monument - Phnom Penh, 2013 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588451057339-1E8EHFVW5KK742RF02ML/image-asset.jpeg I'm Ambitious When Giving Up - White Building - Phnom Penh, 2013 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588451133207-C3C10OME4QKL8SSBD5OX/image-asset.jpeg I'm Ambitious When Giving Up - Mekong River - Phnom Penh, 2013 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588451202551-SELQV07V3YIXSW19IJWE/image-asset.jpeg I'm Ambitious When Giving Up - Maurea Garments Corporation - Phnom Penh, 2013 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588451379254-1LXI6HA9PHIJSC13JDE6/image-asset.jpeg I'm Ambitious When Giving Up - Prey Sar Prison - Phnom Penh, 2013 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588451479171-R66JH6417LY4KYRGS52Y/image-asset.jpeg I'm Ambitious When Giving Up - National Assembly - Phnom Penh, 2013 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588452022651-MS5HXQGUJSVGN8Q6M2B9/image-asset.jpeg I'm Ambitious When Giving Up - Lumber Yard - Phnom Penh, 2013 https://www.carrieperreault.com/video-recordings-2014 daily 0.75 2020-05-02 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588455056080-I0WMYA6EQZF5JIZ1Y4BP/image-asset.jpeg Video Recordings 2014 - four january two thousand fourteen One unedited minute of sequential video recorded each day. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588455056080-I0WMYA6EQZF5JIZ1Y4BP/image-asset.jpeg Video Recordings 2014 - four january two thousand fourteen One unedited minute of sequential video recorded each day. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588454975372-GEG8IDXYLK3V93LU1ZGY/image-asset.jpeg Video Recordings 2014 - five january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588455273695-E59B58QUKUH7WNGDBANT/image-asset.jpeg Video Recordings 2014 - six january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588455459636-CSOOU95A1FGFX44P6WVK/image-asset.jpeg Video Recordings 2014 - seven january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588455581705-QL1Y087UQCHAP2BNW726/image-asset.jpeg Video Recordings 2014 - eight january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588455719565-Y46NIXJPUZDJPIW1AB74/image-asset.jpeg Video Recordings 2014 - nine january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588455833261-7HLDXIATT0XAIMTEZDGW/image-asset.jpeg Video Recordings 2014 - ten january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588455932272-I1Z8S6Z86L46JJDVHW61/image-asset.jpeg Video Recordings 2014 - eleven january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588456053356-I6CGCKA5YN54QVWKV2Y3/image-asset.jpeg Video Recordings 2014 - twelve january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588456170041-QR1WSGSX3BJ1EEXWR488/image-asset.jpeg Video Recordings 2014 - thirteen january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588456653539-B2T5RYC0GF3V6L7QO9DS/image-asset.jpeg Video Recordings 2014 - fourteen january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588456803971-W1TWV4OEFMLK3IHORYMU/15+January.jpg Video Recordings 2014 - fifteen january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588459312149-VS0V19J9N5ZHQIPYYDHH/image-asset.jpeg Video Recordings 2014 - sixteen january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588459832494-FUVJKAGNWXUHJ85EP1KY/image-asset.jpeg Video Recordings 2014 - seventeen january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588459410701-PU6A9HWUMB65YQIF003J/image-asset.jpeg Video Recordings 2014 - eighteen january two thousand fourteen https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1588459508359-5J9MPJ4T98OAVS7QZBN7/image-asset.jpeg Video Recordings 2014 - nineteen january two thousand fourteen https://www.carrieperreault.com/number daily 0.75 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645787393-4T73K3YZ0W2VV00HA2XA/cp013.jpg #13-44 - drawing #13, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645787393-4T73K3YZ0W2VV00HA2XA/cp013.jpg #13-44 - drawing #13, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645787512-3NU187EUP53AD258ZBQN/cp014.jpg #13-44 - drawing #14, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645787785-5VJGXMJ9GU2BRP9UXJG8/cp015.jpg #13-44 - drawing #15, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645787963-JIRHJ86B8QTJEQLEUETU/cp016.jpg #13-44 - drawing #16, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645788204-SLKT98NS48MZU0CUQYMW/cp017.jpg #13-44 - drawing #17, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645788405-C0KJYFKXINJH2LYGREVN/cp018.jpg #13-44 - drawing #18, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645788583-UPQYFM59XZ684Y0GPODX/cp019.jpg #13-44 - drawing #19, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645789469-0WCODRUTMOY7PXABC13B/cp020.jpg #13-44 - drawing #20, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645790081-UACFEK8193C3UZ7WV7A1/cp021.jpg #13-44 - drawing #21, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645790104-PT1DE0M55UQ90MD7OT2Y/cp022.jpg #13-44 - drawing #22, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602487824060-MBZ954QF6FGT6RC0W0N6/image-asset.jpeg #13-44 - drawing #13 Mixed media on paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645717284-EWDCBHD76IDTC7QWQPTG/cp023.jpg #13-44 - drawing #23, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645717349-3PCAXUGXVZCMS1TSBQ3Y/cp024.jpg #13-44 - drawing #24, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645717788-5QSRQ4MJ8K0Z1SDMGVC9/cp025.jpg #13-44 - drawing #25, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645719141-PWZ5TW2R70BPGJROVDWW/cp026.jpg #13-44 - drawing #26, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645719197-VQO1EGTEFCLZL02DI06C/cp027.jpg #13-44 - drawing #27, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645719616-MTKX1NPDTZJO7AYGFLPC/cp028.jpg #13-44 - drawing #28, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645719682-DQ1L4BRAXV26NMCUHF0W/cp029.jpg #13-44 - drawing #29, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645720184-IHP6VGNVPA8BP7IFQ962/cp030.jpg #13-44 - drawing #30, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645720308-8TW5URJ9VFDW28GO273S/cp031.jpg #13-44 - drawing #31, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645720673-B9536GB69UPMT95TP3YM/cp032.jpg #13-44 - drawing #32, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645720872-ZMGK2D1EIVPVY3EGXIVT/cp033.jpg #13-44 - drawing #33, 2020 Mixed media on Stonehenge paper, 15 x 22 inches Drawings #13–44 emerged from an ongoing investigation into memory, domestic architecture and the ways our bodies retain experiences that our minds cannot fully recall. The forms reference half-remembered physical structures from childhood—fragments of rooms, furniture, architectural details and objects that remain present in memory without a complete understanding of their histories. Floating against otherwise empty backgrounds, these forms occupy an uncertain space between recognition and abstraction. Their sometimes awkward proportions, unexpected colours and incomplete structures reflect the fragmented nature of remembering, where physical details can remain vivid even as the events surrounding them become inaccessible. Made with a combination of pastels, graphite, charcoal, watercolour and other drawing materials, the works form part of a larger inquiry into childhood trauma, dissociation and the relationship between physical environments and emotional lives. Drawing becomes a means of giving form to what is remembered, what has been forgotten and what remains unresolved. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645721109-78ORE8STG86PDXL2XKJU/cp034.jpg #13-44 - drawing #34, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645721300-Y54O827HXKM8372R9W96/cp035.jpg #13-44 - drawing #35, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645721496-A6I3YJD1LZMYD9MSUAZ4/cp036.jpg #13-44 - drawing #36, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645723254-NGTSX2A5QFOOZ2D6UH9X/cp037.jpg #13-44 - drawing #37, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645722181-47CG2BBMJF4SZD7CLLHQ/cp038.jpg #13-44 - drawing #38, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645723624-ZJOMIX9DNPUYCM1H34EG/cp039.jpg #13-44 - drawing #39, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645723767-AQF3VFXLSSWWLLZV3U2R/cp040.jpg #13-44 - drawing #40, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645724015-DTNMJ6Q18BLPDI8MN3O2/cp041.jpg #13-44 - drawing #41, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645724210-HAU8LLZ9Z481ZY2A4DGM/cp042.jpg #13-44 - drawing #42, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645724462-CQL6N3U3QYZ1FG1EJ3T9/cp043.jpg #13-44 - drawing #43, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645724843-FJ3FYU9XFCJQ7RAPBSWS/cp044.jpg #13-44 - drawing #44, 2020 Mixed media on Stonehenge paper, 15 x 22 inches https://www.carrieperreault.com/inconsolable-loss daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607499564939-NKNLNKSSEYM96MCMQ6L7/wall-2.jpg Inconsolable Loss - Inconsolable Loss, 2020 Drywall, wood, metal, plaster, paint, 4 x 8 feet https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607499564939-NKNLNKSSEYM96MCMQ6L7/wall-2.jpg Inconsolable Loss - Inconsolable Loss, 2020 Drywall, wood, metal, plaster, paint, 4 x 8 feet https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491087022-PGC4T6JSOLGHOWEM65XM/image-asset.jpeg Inconsolable Loss - Inconsolable Loss, 2020 drywall, wood, metal, plaster, paint, 4 x 8 feet https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612761930922-CC1I5UKNBVAUKQCIU9VS/wall-2.jpg Inconsolable Loss - Inconsolable Loss, 2020 Drywall, wood, metal, plaster, paint, 4 x 8 feet https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612761926318-MDCU96BYLFEC6ZCR0LFQ/wall-1.jpg Inconsolable Loss - Inconsolable Loss, 2020 Drywall, wood, metal, plaster, paint, 4 x 8 feet https://www.carrieperreault.com/tire daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491249243-F0S87A8ZAE8INYRFGIAJ/image-asset.jpeg Tire - Tire, 2020 drystone, upholstery foam, 30 x 30 x 1 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491249243-F0S87A8ZAE8INYRFGIAJ/image-asset.jpeg Tire - Tire, 2020 drystone, upholstery foam, 30 x 30 x 1 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607231303645-BVKPDHYVMV8RM893IN2J/image-asset.jpeg Tire https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491140354-CYYZALI345K70BJPOVSV/image-asset.jpeg Tire - Tire, 2020 drystone, upholstery foam, 30 x 30 x 1 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491166317-P9ZX8ZMENSOHQOZJWM2K/image-asset.jpeg Tire - Tire, 2020 drystone, upholstery foam, 30 x 30 x 1 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629132673379-UFCU1A2BHXTQP0IQATD2/MFA_Carrie_Perreault_SLee_HR-15.jpg Tire - Tire, 2020 drystone, upholstery foam, 30 x 30 x 1 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629132675533-MAEZWDA1ZVB7KW6EE2RH/MFA_Carrie_Perreault_SLee_HR-17.jpg Tire - Tire, 2020 drystone, upholstery foam, 30 x 30 x 1 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629132934434-WGI2RHMTZMTBYO8ZUFIJ/20210706_170335.jpg Tire - Tire, 2020 drystone, upholstery foam, 30 x 30 x 1 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629132948119-AIMHKFPZA34LBO2N5JJN/20210708_102233.jpg Tire - Tire, 2020 drystone, upholstery foam, 30 x 30 x 1 inches https://www.carrieperreault.com/project-sketches daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488612386-NGHSQSHL31JTI0O5M3KT/asphalt_1.jpeg Project Sketches - asphalt_1, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488612386-NGHSQSHL31JTI0O5M3KT/asphalt_1.jpeg Project Sketches - asphalt_1, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488326827-Y6C1HCP0YWX6L6P2HT00/image-asset.jpeg Project Sketches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488335633-TYVLCQZMERPJSTGOSI9H/asphalt_2.jpeg Project Sketches - asphalt_2, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488337562-U8G3JOPFRFJPIPJUN157/asphalt_3.jpeg Project Sketches - asphalt_3, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488341562-HGRE0RSDOJNTCLKBMVN4/asphalt_4.jpeg Project Sketches - asphalt_4, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488344536-KFNS8GBXX6Q5AD1MXFEZ/asphalt_5.jpeg Project Sketches - asphalt_5, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488347475-94I8RRK6TIPT6CXRVUYL/bike+tubes.jpeg Project Sketches - bike tubes, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488352353-SDERFEBAGGBS0I9WLM4C/boxes+in+the+ground.jpeg Project Sketches - boxes in the ground, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488355797-VPWSEM7E8LYLZ9F2D76N/ceramic+tiles.jpeg Project Sketches - ceramic tiles, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488359366-8GXGWIR5TJFGP36A89RC/hvac.jpeg Project Sketches - hvac, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488362885-M1NA7TL9O39HQDR9KH3K/park_1.jpeg Project Sketches - park_1, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488366347-FHODI2Z8KFUQFMI78IU8/park_2.jpeg Project Sketches - park_2, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488369073-V4LJNZSEPHY9M7TFYV1V/rubber+balls.jpeg Project Sketches - rubber balls, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488372604-7IU34R8HA9K4FRAF6C05/sky+recordings.jpeg Project Sketches - sky recordings, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488376331-0GFB3YA51FARFZSGU5OK/snow+fence.jpeg Project Sketches - snow fence, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488382151-REKYA8SIFM00HDXJC6NP/styrofoam.jpeg Project Sketches - styrofoam, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488385741-GY4ZURY4NBKLSQREDS1N/walls.jpeg Project Sketches - walls, 2020 Pencil on vellum, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602488389716-LK01SH6I5P9QIM7G4Y77/yellow+print.jpeg Project Sketches - yellow print, 2020 Pencil on vellum, 8.5 x 11 inches https://www.carrieperreault.com/lost-my-guts daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491577436-AB3ZMX11LGUQLG0437OX/image-asset.jpeg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491577436-AB3ZMX11LGUQLG0437OX/image-asset.jpeg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491824705-N08UBO6K9DCQ1PGQ92SS/image-asset.jpeg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607491807101-ZIRX8KF4F0DEXKTI6DEA/image-asset.jpeg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629133579221-15EQ2JZ9EXLIYVM2Z3XP/MFA_Carrie_Perreault_SLee_HR-21.jpg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629133544220-0H63JGQ3H846VYVBJWVX/20210708_102750-tone.jpg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629133560291-HKLYFD8QS9TQ4FU3XN5L/MFA_Carrie_Perreault_SLee_HR-19.jpg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629133570377-H5EI3WPI27AIM5Y0JFCW/MFA_Carrie_Perreault_SLee_HR-20.jpg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629133591082-MQBHE3T71RVZPQ9FC1XK/MFA_Carrie_Perreault_SLee_HR-22.jpg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629133592818-UKN59758GXM73Q33TOV5/MFA_Carrie_Perreault_SLee_HR-23.jpg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629133594223-506K0OXUDNREUJMCE2FB/MFA_Carrie_Perreault_SLee_HR-24.jpg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629133595353-69MWP9KGI6VRCE8FUBT8/MFA_Carrie_Perreault_SLee_HR-29.jpg Sometimes I think I lost my guts too - Sometimes I think I lost my guts too, 2020-21 Rubber, black iron, black steel, dimensions variable https://www.carrieperreault.com/wall-drawing daily 0.75 2020-12-11 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607502838431-DL1N80GR00KZIKG9PYBJ/image-asset.jpeg Wall Drawing - Wall Drawing, 2020 Chalk, chalkboard paint https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607502838431-DL1N80GR00KZIKG9PYBJ/image-asset.jpeg Wall Drawing - Wall Drawing, 2020 Chalk, chalkboard paint https://www.carrieperreault.com/emovere daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607231391239-3UZHVITJNL9HPHZJM6EA/image-asset.jpeg Emovere https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607231391239-3UZHVITJNL9HPHZJM6EA/image-asset.jpeg Emovere https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760084892-VJP8RC181Y7XI8HEH41L/hvac-1.jpg Emovere - Emovere (#1, 2, 3), 2020/21 Drystone, various https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760103146-00XTVYOCFOL49D0XPG0H/hvac-2.jpg Emovere - Emovere (#1), 2020 Drystone, 4 x 4 x 4 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760110249-YIEM18UGV8RWK2RBJKD7/hvac-3.jpg Emovere - Emovere (#2), 2020 Drystone, 4.5 x 4.5 x 4 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760114212-S1M4A2YS32TRMWUUZ3W6/hvac-4.jpg Emovere - Emovere (# 3), 2021 Drystone, 5.5 x 5.5 x 4 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612886005420-AJHWHA98SKLX323NHMYG/hvac-5.jpg Emovere - Emovere (#2, 3), 2021 Drystone, various https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760121862-7XR1NGF61IHVW3VA04EF/hvac-8.jpg Emovere - Emovere (#4), 2021 Drystone, 11 x 10 x 4.5 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760126304-1FTQGX3KFEVTNYGK4XYA/hvac-9.jpg Emovere - Emovere (#5), 2020 Drystone, 14 x 7 x 4 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760152505-BEKZ7SCEA9OKK4BABU04/hvac-10.jpg Emovere - Emovere (#6), 2020 Drystone, 14 x 7 x 4 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760156336-LK4IGK0J5KRZSCZIPVDU/hvac-11.jpg Emovere - Emovere (#7), 2021 Drystone, 5 x 7.5 x 10 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760160110-YZG65Z6KDPXSD1AZ9DCZ/hvac-12.jpg Emovere - Emovere (#8), 2020 Drystone, 11 x 6 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760163710-D1N1YLK3T6DTUEXGWJRF/hvac-13.jpg Emovere - Emovere (#9), 2021 Drystone, 7.5 x 13.5 x 5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760167386-CRI13SZWPS05VNWIKC0V/hvac-14.jpg Emovere - Emovere (#10, 11), 2020 Drystone, various https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760171156-S5KK2RGEE8SHHWO029NV/hvac-15.jpg Emovere - Emovere (#10), 2020 Drystone, 5 x 5 x 7.25 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760177739-J0POS2RN899YK8F1JYJC/hvac-16.jpg Emovere - Emovere (#11), 2020 Drystone, 4 x 4 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760180964-QU92EDVMR0HRA0LBJNST/hvac-17.jpg Emovere - Emovere (#12), 2020 Drystone, 13.5 x 7.5 x 5 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760184310-VRK0NEKZOJ0NW5U37B04/hvac-18.jpg Emovere - Emovere (#13), 2020 Drystone, 5 x 7 x 10 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760187773-U39D2R3E4BKTADRIK80Z/hvac-19.jpg Emovere - Emovere (#14), 2021 Drystone, 4 x 8 x 10 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760206322-IOKR8ZVNPU9N4E19ZPAZ/hvac-20.jpg Emovere - Emovere (#15), 2021 Drystone, 11 x 4.5 x 10 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760215333-9LJ4JJIVCNA77EGQU67N/hvac-23.jpg Emovere - Emovere (#16, 17), 2021 Drystone, various https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612914296362-U0G0QWFF73ZGJNW1JISM/hvac-22.jpg Emovere - Emovere (#16), 2021 Drystone, 3 x 3 x 8 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760211760-WD34KAI57DABMZWVE0KY/hvac-21.jpg Emovere - Emovere (#17), 2021 Drystone, 3 x 3 x 8 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760221052-XA1IU76HJ1GC9842CDR4/hvac-24.jpg Emovere - Emover (#18), 2021 Drystone, 8,5 x 14 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760224224-MZWAEFTILN5NC4LQ0FWU/hvac-25.jpg Emovere - Emovere (#19), 2021 Drystone, 11 x 4.5 x 10 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612914308539-ESX3TSZXQL61ZOAECUZ9/hvac-34.jpg Emovere - Emovere (#20), 2021 Drystone, 10 x 6 x 6 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760227450-NAG5ZKGS90N5WRDQ7BXA/hvac-26.jpg Emovere - Emovere (#21), 2021 Drystone, 5 x 7.5 x 10 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760230945-F5CI29UNE7O2UWJ0RMLF/hvac-27.jpg Emovere - Emovere (#22), 2021 Drystone, 7 x 6.5 x 4 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1613239304170-XIP0B65SCV5FZGKDQVOQ/hvac-35.jpg Emovere - Emovere (#23), 2021 Drystone, 12 x 11 x 4 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760237413-NF5F3WVVBWO19NRZTH8J/hvac-28.jpg Emovere - Emovere (#24), 2021 Drystone, 13.5 x 7.5 x 5 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760240548-E83NWQSSM387MJMDCSYQ/hvac-29.jpg Emovere - Emovere (#24), 2021 Drystone, 13.5 x 7.5 x 5 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760245785-7NQW7X3RVH9CANKG8NQU/hvac-31.jpg Emovere - Emovere (#25), 2021 Drystone, 7 x 7.5 x 10 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760248641-FC2VKFBTQ3AY9ES8ILRQ/hvac-32.jpg Emovere - Emovere (#26), 2021 Drystone, 11 x 10 x 5.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760251718-WLB4DK7BGPUAERNYLTF2/hvac-33.jpg Emovere - Emovere (#27), 2021 Drystone, 11 x 4.5 x 10 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760254636-13UZO0R2BFUP0DQ02ZSR/hvac-36.jpg Emovere - Emovere (#28), 2021 Drystone, 5 x 7.5 x 10 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1613240549031-TAJ8MUGLGAF6WDATI8JF/hvac-30.jpg Emovere - Emovere (#29), 2021 Drystone, 7 x 6 x 10.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760258383-68RJ8QBLVVZLJ5YETVY6/hvac-37.jpg Emovere - Emovere (#30), 2021 Drystone, 5 x 7.5 x 10 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1612760263708-EEDWL0A09BJ9A4S19M1F/hvac-38.jpg Emovere - Emovere (#31), 2021 Drystone, 11 x 4.5 x 10 inches https://www.carrieperreault.com/uwag-installation-2020 daily 0.75 2020-12-11 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607499169062-3P839GRIIR7DYTZGRZAU/all-1-resized.jpg UWAG Installation 2020 - UWAG - University of Waterloo Art Gallery December 2020/ January 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607499169062-3P839GRIIR7DYTZGRZAU/all-1-resized.jpg UWAG Installation 2020 - UWAG - University of Waterloo Art Gallery December 2020/ January 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607499162978-QM43ZDJVCF774IC4MCVB/tubes+and+asphalt-resized.jpg UWAG Installation 2020 - UWAG - University of Waterloo Art Gallery December 2020/ January 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607492386625-FO6G4M7ZLPHG947A6E85/image-asset.jpeg UWAG Installation 2020 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607492410584-PGDMM4I4FWKIYB1I7LHE/drywall+and+hvac.jpg UWAG Installation 2020 - UWAG - University of Waterloo Art Gallery December 2020/ January 2021 https://www.carrieperreault.com/how-many-times-did-you-give-all-your-love daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607492480378-Q39LM0OFHV8X5J8UV2FW/image-asset.jpeg How many times did you give all your love? - How many times did you give all your love?, 2020 Asphalt, paper, resin, 12 x 12 x 5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607492480378-Q39LM0OFHV8X5J8UV2FW/image-asset.jpeg How many times did you give all your love? - How many times did you give all your love?, 2020 Asphalt, paper, resin, 12 x 12 x 5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607492509263-VNORFVG2KCS757SLJCBD/asphalt-2.jpg How many times did you give all your love? - How many times did you give all your love?, 2020 Asphalt, paper, resin, 12 x 12 x 5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607843231963-Q58ZC477TOE6GJ7KGG9D/asphalt-3-sm.jpg How many times did you give all your love? - How many times did you give all your love?, 2020 Asphalt, paper, resin, 12 x 12 x 5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629131238575-8T0VZGPFAPO9OX17UKQ7/MFA_Carrie_Perreault_SLee_HR-09.jpg How many times did you give all your love? - How many times did you give all your love?, 2020 Asphalt, paper, resin, 12 x 12 x 5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629131270960-5T5WRZBSRPZ7RJA38Q23/MFA_Carrie_Perreault_SLee_HR-08.jpg How many times did you give all your love? - How many times did you give all your love?, 2020 Asphalt, paper, resin, 12 x 12 x 5 inches https://www.carrieperreault.com/period-of-adjustment daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666492252-YKV4WFI5FQ8Q20Z34I86/NAC_Carrie_Perreault0C8A1000.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666492252-YKV4WFI5FQ8Q20Z34I86/NAC_Carrie_Perreault0C8A1000.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666586570-Q4Z8I7L6UKKMQJAUBKWU/02_NAC_Carrie_Perreault0C8A1068.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666463860-KEAC11XLLYF030R6DGTD/NAC_Carrie_Perreault0C8A0945.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666449282-5HVJ3EMN4ZPYXAS71RKU/NAC_Carrie_Perreault0C8A1178.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666443789-GDKTRLA1PMGYYODJPU2Z/NAC_Carrie_Perreault0C8A1005.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607667293859-TSDCQZ7MER5KK539BAQW/NAC_Carrie_Perreault0C8A1236.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666399262-0GFS0Q84ERE6KS2MGA5N/NAC_Carrie_Perreault0C8A1047.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666403298-X3KX7WCT9IE04CSOZ6J5/NAC_Carrie_Perreault0C8A1044.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666417730-FZ4U8HLP3SZ6Z4MHO87Z/NAC_Carrie_Perreault0C8A1035.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666427415-6ZTDBHYNUYRVHUUDMSEM/NAC_Carrie_Perreault0C8A1023.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666429662-4R5HO5G8S6DJBY6XZVLG/NAC_Carrie_Perreault0C8A1026.jpg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666364935-TERTHNMSCFOS7MTDB5ZD/image-asset.jpeg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607666307027-0NI47RWVU8NVMFGQIJJM/image-asset.jpeg period of adjustment - NAC - Niagara Artists Centre May 2019 - July 2019 https://www.carrieperreault.com/over-my-dead-body daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607669293958-BCBIU317QP0SU2HWF112/NAC_Carrie_Perreault0C8A0918.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607669293958-BCBIU317QP0SU2HWF112/NAC_Carrie_Perreault0C8A0918.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607667805292-FPV4G20KZ7VG2FNB5WVS/NAC_Carrie_Perreault0C8A1090-Edit.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607669386303-3N2Y3DAYP29NG876ZH89/02_NAC_Carrie_Perreault0C8A1068.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607667716292-PLRSOCWTN3ZU5MQTXAH2/image-asset.jpeg Over my dead body - Over My Dead Body, 2019 6 x 21 feet x 2 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607667770527-Z5NC01N9X5SJ3HD4EI3M/NAC_Carrie_Perreault0C8A1056-Edit.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607667772985-E20FS2C8LEHAJL3RY9J5/NAC_Carrie_Perreault0C8A1077-Edit.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607669365426-PNVFAZQKHORKNYI00QZJ/NAC_Carrie_Perreault0C8A1059-Edit.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607669446722-F8PA4R4LVYC9L8CPWN6Q/NAC_Carrie_Perreault0C8A1104-Edit.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607667831445-CIK1GFWFRKW87AFWJHN8/NAC_Carrie_Perreault0C8A1107-Edit.jpg Over my dead body - Over My Dead Body, 2019 Concrete, wax, ink, marker, tape, spray paint, chalk, 6 x 21 feet x 1.5 inches https://www.carrieperreault.com/untitled-for-elizabeth daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607842092024-0VRKPTHNEXCF5U19257T/image-asset.jpeg Untitled, for Elizabeth - Untitled (for Elizabeth), 2014 Rice, plastic, metal, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607842092024-0VRKPTHNEXCF5U19257T/image-asset.jpeg Untitled, for Elizabeth - Untitled (for Elizabeth), 2014 Rice, plastic, metal, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607842111682-LTIMSS9404AHQQHTKNTY/feet-3.jpg Untitled, for Elizabeth - Untitled (for Elizabeth), 2014 Rice, plastic, metal, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607842108925-HJKTTW1EN6AASZRVRWJA/feet-2.jpg Untitled, for Elizabeth - Untitled (for Elizabeth), 2014 Rice, plastic, metal, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607842117070-AKUPIV9O6PSH94JEGNHN/feet-5.jpg Untitled, for Elizabeth - Untitled (for Elizabeth), 2014 Rice, plastic, metal, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607842114432-K8U66L8D53J6S8N3ZH3W/feet-4.jpg Untitled, for Elizabeth - Untitled (for Elizabeth), 2014 Rice, plastic, metal, dimensions variable https://www.carrieperreault.com/swim daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610835532763-L2LQKXPYVFZQLB585VWA/image-asset.jpeg Swim - swim #01, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610835532763-L2LQKXPYVFZQLB585VWA/image-asset.jpeg Swim - swim #01, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676771649239-BXIMRYCKGVOJF654P79A/image-asset.jpeg Swim - swim #02, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610838458456-YZLR1MKY0BW50R3AFUUT/swim003.jpg Swim - swim #03, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676771723123-QTWDHKOL3MZ29EQ4CW59/image-asset.jpeg Swim - swim #09, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610838612581-14YNCDKDD0JB6DO5HO4E/swim010.jpg Swim - swim #10, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610838290349-C1YXKCQKUJVPQR2LYBNA/swim013.jpg Swim - swim #13, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610838093790-IZBZUXI05LZSI1S08LQV/swim014.jpg Swim - swim #14, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610838031954-ONM10BCUADRJZTHQJQBG/swim015.jpg Swim - swim #15, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610837976568-C6E3RVSZASVXSV3AVNT5/swim016.jpg Swim - swim #16, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610837881325-OLLK004FOH5EHDF5RF6G/swim017.jpg Swim - swim #17, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610837793752-JSNQ933ME6AUZ5Q3ULKP/swim018.jpg Swim - swim #18, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1610837715302-M6GJKV2PAASCZ3E04ZRQ/swim019.jpg Swim - swim #19, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676772216932-L7K9IZCYN3LWZARIAUKL/swim016.jpg Swim - swim #20, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676772242068-JQQC611RZSFXMZWEJ4LD/swim019.jpg Swim - swim #21, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676772268815-YVFGEGWVL2ZVHT5T8LJA/swim018.jpg Swim - swim #22, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676772343092-IW7NHG1XSP7MWZBQ3BXQ/swim018.jpg Swim - swim #23, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676772189302-2CXR5AFMD2YKHI8GRFX6/swim017.jpg Swim - swim #24, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676772163825-OEZDCVB5Z92N91WMXIKY/swim015.jpg Swim - swim #25, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774074923-KRJPLSMIXOJSN3X7E6US/2023_swim041.jpg Swim - swim #26, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774092920-ANHZPQ2KJCYRUL754EQI/2023_swim041.jpg Swim - swim #27, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774111727-SVIPATBSMTNSFE4SYAWH/2023_swim028.jpg Swim - swim #28, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774128445-EL6MD4SMTKZ5A2LJU35G/2023_swim029.jpg Swim - swim #29, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676688531330-CD9A6RHXGF56D7I6DM9E/2023_swim041.jpg Swim - swim #30, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774152116-XU1V9RFRWFPLWREFLJDU/2023_swim031.jpg Swim - swim #31, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676771931178-P69JLSIRQQ89LLR9H9G1/2023_swim041.jpg Swim - swim #32, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774171084-9O6M6OC2IPJ52YONW9E7/2023_swim033.jpg Swim - swim #33, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676771897598-1JNBAE8FZIAAXDSHGB1Y/image-asset.jpeg Swim - swim #34, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774190427-9IGAWC58DAAHKMYGDMEM/2023_swim035.jpg Swim - swim #35, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676771874279-XJOTH9K48MC2AT5II623/swim017.jpg Swim - swim #36, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774207489-CGWR8GZ9RTF0F9X2XPVI/2023_swim041.jpg Swim - swim #37, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774228332-V3H7H5WHDAMOHBDE9TTV/2023_swim038.jpg Swim - swim #38, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676771841814-URYPDVL744KJ8IUO03KN/2023_swim041.jpg Swim - swim #39, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676771811529-H6ANTW1MVN7G61P7F9KA/2023_swim041.jpg Swim - swim #40, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774249275-AH6JEE6HU0X60G77KAA0/2023_swim041.jpg Swim - swim #41, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774266152-GP6F1WALAGT33CURKS7J/2023_swim041.jpg Swim - swim #42, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774283381-U92QRRFDSH3F7BUK7R3S/2023_swim041.jpg Swim - swim #43, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676774301704-V9CX5ZLVXG5BUIHUQVK9/2023_swim041.jpg Swim - swim #44, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676688648324-F5YS9TZ50XQZ1HAWMC8M/2023_swim041.jpg Swim - swim #45, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676688712439-5G4HKP4FXW3DX3I1CDPU/2023_swim041.jpg Swim - swim #46, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676688751676-T2BERJWMC0GYA27BLD39/2023_swim041.jpg Swim - swim #47, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676688772573-5IILPRCTD0Z7BMVMRZKH/2023_swim041.jpg Swim - swim #48, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692505823935-MVYYKY39XCFMQ6SRWTZF/image-asset.jpeg Swim - swim #49, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676772146585-Z91A5CRWJB0I6NN53HM5/swim014.jpg Swim - swim #50, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676771953968-NH9IMWV4BGQJ8EP4MOQS/2023_swim041.jpg Swim - swim #51, 2021 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692505939629-23555C5QGRUKCL7VM4K4/image-asset.jpeg Swim - swim #52, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692505980158-WFX6Y90YY3JGQ6Q7T76A/image-asset.jpeg Swim - swim #53, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506010356-IJK65JVBXH39TPO1NYYL/image-asset.jpeg Swim - swim #54, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506039506-OD1FLS0XYV5M1744257M/image-asset.jpeg Swim - swim #55, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506121253-GMB2ESRXCYJNQBGF4BPY/image-asset.jpeg Swim - swim #56, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506146076-OBU6LC8VP4IO9RGPXIIJ/image-asset.jpeg Swim - swim #57, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506173667-S5PP87IUUATUTCTUDIS9/image-asset.jpeg Swim - swim #58, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506201821-6KLQ88T0HLCMJ6XSZWLU/image-asset.jpeg Swim - swim #59, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506228507-U2FIQERA4UYIW5E63FVS/image-asset.jpeg Swim - swim #60, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506257596-Y0ORGCJR171HQ92OUXY7/image-asset.jpeg Swim - swim #61, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506300139-A7UNDP7DPG34HLYMONHE/image-asset.jpeg Swim - swim #62, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1692506325874-225B3VWMITJ0Q6XFJK00/image-asset.jpeg Swim - swim #63, 2023 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122031952-XGEGHIOGUN0G8129GU1T/image-asset.jpeg Swim - swim #64, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122083686-JTR10C87UVN5EVMB3NOY/image-asset.jpeg Swim - swim #65, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122112396-42V6R7W8VG9NOZ5TO5NO/image-asset.jpeg Swim - swim #66, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122144536-SLDKY1OJ1IA40N65PYQ6/image-asset.jpeg Swim - swim #67, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122171304-GYCW6IQEPU24IE86O6EI/image-asset.jpeg Swim - swim #68, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122551058-JVDJDWLTHRVP6NX1WDBX/image-asset.jpeg Swim - swim #69, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122595892-D1BGT4KKXLAOOKEOR14X/image-asset.jpeg Swim - swim #70, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122611236-HQR78UQ4GP11ZTKOYAWW/image-asset.jpeg Swim - swim #71, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122654930-8A5C5J1O7D9NG1GY00P9/image-asset.jpeg Swim - swim #72, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750122673251-OWKK33KABUF35LKDY3D2/image-asset.jpeg Swim - swim #73, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123371900-QCWK9HZMJ68FYII9RBI0/image-asset.jpeg Swim - swim #74, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123402269-2HUA8UFR3KOMSB87BM2F/image-asset.jpeg Swim - swim #75, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123423165-QA64GNRRKLAWY4AF5E5I/image-asset.jpeg Swim - swim #76, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123443052-LKPEGT726RO1BD9SHFN2/image-asset.jpeg Swim - swim #77, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123461765-47TE1G02Z761KZMT7BDK/image-asset.jpeg Swim - swim #78, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123503431-ZY7GFLNYU4ZM5QA33FFB/image-asset.jpeg Swim - swim #79, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123528359-CLS1G5AVVDB064TYBZLI/image-asset.jpeg Swim - swim #80, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123546858-Q0H0ZI5IQZEYDNQGJVH4/image-asset.jpeg Swim - swim #81, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123563063-1QUWOCXKFWT9NQU6O2E3/image-asset.jpeg Swim - swim #82, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123581722-XPEKMXIKTG8EBK5ZALI2/image-asset.jpeg Swim - swim #83, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123619904-W0AQHEY83OM53TOR1X9F/image-asset.jpeg Swim - swim #84, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123639075-CSJHE1Y1YJBZP97WIUI3/image-asset.jpeg Swim - swim #85, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123656956-DDTZ114N20WTPS0LIHG3/image-asset.jpeg Swim - swim #86, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123677775-O1T8ASH6K984YBC5SSOG/image-asset.jpeg Swim - swim #87, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750123696216-5MRGI8PNX0TQ9CMADX7M/image-asset.jpeg Swim - swim #88, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124256553-EPG7H53DPMO9PLA5HNCI/image-asset.jpeg Swim - swim #89, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124431170-EVXUEMNL3Z114FA7NR79/image-asset.jpeg Swim - swim #90, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124457794-22GP5P1HE1FRJM517N0H/image-asset.jpeg Swim - swim #91, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124476099-6G8EE0G4PPOXFY2J38JA/image-asset.jpeg Swim - swim #92, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124496685-8H7U07530GMFOKWMJ1GU/image-asset.jpeg Swim - swim #93, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124525176-FEKCXZM85XKIM0VKNRL8/image-asset.jpeg Swim - swim #94, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124543540-Y4HJEBL4188J39CF4G40/image-asset.jpeg Swim - swim #95, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124564856-J67G4WSLHZ3C0UI0F0CD/image-asset.jpeg Swim - swim #96, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124582459-W4A5SUAH6FCGUE153LFZ/image-asset.jpeg Swim - swim #97, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750124601337-DYT4ULRNVHB7HEWF3IWZ/image-asset.jpeg Swim - swim #98, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125037615-16RGVHN8QQF2WJI6YC5J/image-asset.jpeg Swim - swim #99, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125062889-XU29RCBKUUXC2N7M8MII/image-asset.jpeg Swim - swim #100, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125081976-UP5S1119ODTJEFY9OGCG/image-asset.jpeg Swim - swim #101, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125102394-7515VERHRYYNG2W712XR/image-asset.jpeg Swim - swim #102, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125123050-S0L3VELGLM06HMY6EMIX/image-asset.jpeg Swim - swim #103, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125158017-FIU4UODPAWWO7YHLU098/image-asset.jpeg Swim - swim #104, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125178351-QTW2D96WTWBPX6UB8VUM/image-asset.jpeg Swim - swim #105, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125197535-KKJIZ8O4ETTCUL9KJ0KN/image-asset.jpeg Swim - swim #106, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125219112-BR97OY5Y0AD5P5TZ9YHL/image-asset.jpeg Swim - swim #107, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125237584-3AMDP92RNLL7UDN220KT/image-asset.jpeg Swim - swim #108, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125257688-GWKK64UDJ26330G9IW1T/image-asset.jpeg Swim - swim #109, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125276608-GI43D97WJVK69V2LA1WH/image-asset.jpeg Swim - swim #110, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125299041-U7EF5PUUKAQJB0MTW9WV/image-asset.jpeg Swim - swim #111, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125330714-B5SUM77SG37TGR4JU4U5/image-asset.jpeg Swim - swim #112, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1750125352991-3SY0LHQP5I8ZL309PH8I/image-asset.jpeg Swim - swim #113, 2025 Pastel/ mixed media on mylar, 8.5 x 11 inches https://www.carrieperreault.com/we-wont-ever-feel-the-storm daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1618886021915-WGYSYI1CFBZWZ8HGTP12/image-asset.jpeg We won't ever feel the storm - We Won't Ever Feel the Storm, 2021 Wood, drystone, 96 x 112 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1618886021915-WGYSYI1CFBZWZ8HGTP12/image-asset.jpeg We won't ever feel the storm - We Won't Ever Feel the Storm, 2021 Wood, drystone, 96 x 112 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629131620618-9TWDB8M968B9ZODHU618/MFA_Carrie_Perreault_SLee_HR-12.jpg We won't ever feel the storm - We won’t ever feel the storm, 2021 Drystone, plywood, 110 x 96 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629131628478-N3X5TJVSQH5V8JR718VI/MFA_Carrie_Perreault_SLee_HR-25.jpg We won't ever feel the storm - Drystone, plywood, 110 x 96 x 11 inches Drystone, plywood, 110 x 96 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629131632406-O5THQDNBEHKW0X5WFH9C/MFA_Carrie_Perreault_SLee_HR-26.jpg We won't ever feel the storm - We won’t ever feel the storm, 2021 Drystone, plywood, 110 x 96 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629131633533-PWRBDTA9KKTDBU9YVYYW/MFA_Carrie_Perreault_SLee_HR-27.jpg We won't ever feel the storm - We won’t ever feel the storm, 2021 Drystone, plywood, 110 x 96 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629131634868-H5UAMXM76MESHBQAUK8J/MFA_Carrie_Perreault_SLee_HR-28.jpg We won't ever feel the storm - We won’t ever feel the storm, 2021 Drystone, plywood, 110 x 96 x 11 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1629131605187-2ICJ25C2VIMEFD3I1650/MFA_Carrie_Perreault_SLee_HR-07.jpg We won't ever feel the storm - We won’t ever feel the storm, 2021 Drystone, plywood, 110 x 96 x 11 inches https://www.carrieperreault.com/the-dead-weigh-down-the-living daily 0.75 2022-01-04 https://www.carrieperreault.com/the-dead-weigh-down-the-living/1 monthly 0.5 2022-01-09 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1622503141079-XQAH0RUSXB51YUOLOJLL/dsc00088_orig.jpg Writing - THE DEAD WEIGH DOWN THE LIVING by Carrie Perreault - Make it stand out Fig.1. Some of the 6,000 recovered portraits of victims at S-21, Phnom Penh, Cambodia. Education First Cambodia, 9, Dec. 2019, www.educationfirstcambodia.org https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1622503199938-RPP34MOYX59BBO5LEZ5S/d8893d1_in001.jpg Writing - THE DEAD WEIGH DOWN THE LIVING by Carrie Perreault - Make it stand out Fig.2. Goodwin, Betty. Red Sea. 1984. Musée d’art contemporain de Montréal. Oil pastel, dry pastel, oil and charcoal on velum paper, 304.8 × 213.3 cm. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1622503236832-Z7YB3WGWTX4OXSYGMBSO/fa1f10cd-0b99-4d75-9fdb-8faa03c3ba84-1020x612.jpeg Writing - THE DEAD WEIGH DOWN THE LIVING by Carrie Perreault - Make it stand out Fig.3. Salcedo, Doris. Plegaria Muda. 2008-2010. Museum of Contemporary Art, Chicago. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1622503268383-DRD8MGJYADL8NXFTW27P/Screen+Shot+2021-05-31+at+6.36.23+PM.jpg Writing - THE DEAD WEIGH DOWN THE LIVING by Carrie Perreault - Make it stand out Fig.4. Margolles, Teresa. Doris. La Busqueda. 2014. Venice Biennale installation. Intervention with sound frequency. Three glass panels with wood frame, 181 x 286 x 120; 96.5 x 286 x 120; 132.5 x 286 x 120 cm. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1622503288157-C7Y1R6RF19HEUJ8QIWZD/Screen+Shot+2021-05-31+at+6.36.44+PM.jpg Writing - THE DEAD WEIGH DOWN THE LIVING by Carrie Perreault - Make it stand out Fig. 5 (detail). Margolles, Teresa. Doris. La Busqueda. 2014. Venice Biennale installation. https://www.carrieperreault.com/uwag-installation-2021-2 daily 0.75 2021-07-12 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028465227-I1L6IFNY2OSD1ONWZOQB/20210706_170254.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028465227-I1L6IFNY2OSD1ONWZOQB/20210706_170254.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028381205-6W4PLATRGGD1IB9YW1JO/image-asset.jpeg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028434630-VHLLN2BX0HCXBO32KSZ5/20210708_102402.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028417860-CTYR1U38QNMAF2UWUDBW/20210708_102918.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028463355-2N3EH1FSUWOOC8GH12OZ/20210706_170313.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028437698-YZM0BKDI0BHAQBUF0SE3/20210708_102257.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028461543-B81NGQQC5YL06ATA95MC/20210706_170345.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028447755-8R1KBVZFCBDH7LNLBITT/20210708_101741.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028443217-P7RYIMGCN4O9G3X6AX2W/20210708_102118.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028454459-PDG1JJZ116XH5KSZA4OJ/20210708_100611.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028456621-G8LBX4WZZ1587O91000P/20210708_100533.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028426792-DK00WONAPFMVGAB2TWJS/20210708_102647.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028423512-JY1EGSJG6AMTMZD3GMW6/20210708_102750.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028430222-LBUKRFPKA9EK3ZK9WOEO/20210708_102536.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028468501-GK17M1PZBM5BMFAECGJ6/20210706_170210.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626028450742-AGZLOB02XE2CR3TTU56C/20210708_100654.jpg UWAG - Pacing the House, July 8 - 24, 2021 UWAG Pacing the House, July 8 - 24 2021 https://www.carrieperreault.com/uwag-pacing-the-house daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114627832-MXXQ6EPEQLVOEOQDNITG/MFA_Carrie_Perreault_SLee_HR-02.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114627832-MXXQ6EPEQLVOEOQDNITG/MFA_Carrie_Perreault_SLee_HR-02.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626115880784-WM0GRXD2TS9U2EJ5XVHY/MFA_Carrie_Perreault_SLee_HR-30.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114651265-HN41F10YLCLYO58TJ5D6/MFA_Carrie_Perreault_SLee_HR-05.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114635671-JTPRS1PR8OFMQF1GG1DT/MFA_Carrie_Perreault_SLee_HR-03.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626115892094-ISAJZ7DKTP1WCX9QITUT/MFA_Carrie_Perreault_SLee_HR-32.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626115885876-9XUGILSXVX8BQHJR4RAH/MFA_Carrie_Perreault_SLee_HR-31.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626137911545-K11OURVV7NGCIY3RL7N7/20210708_102402-tone.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114701340-5TVJWY3GLAHQG18XDBI5/MFA_Carrie_Perreault_SLee_HR-10.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114755389-VRX6MK6J8KC7BYV5EOQL/MFA_Carrie_Perreault_SLee_HR-16.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114734956-VL81B1F4P4K3EFWUB090/MFA_Carrie_Perreault_SLee_HR-14.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114746258-Q9CR69X4K5SZ1SO8T1RV/MFA_Carrie_Perreault_SLee_HR-15.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626138044958-W4VSE1YQZCD55UREJW3U/20210708_102257-tone.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114771368-CT6UIUWB4OC8X3VMURMT/MFA_Carrie_Perreault_SLee_HR-18.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114763907-0L0OG4BGVZ3HY9H4PFGZ/MFA_Carrie_Perreault_SLee_HR-17.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114780575-W8AWUOMRJUM52AUDG5KG/MFA_Carrie_Perreault_SLee_HR-19.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114798474-15KIEG5Q9Z25ZHKUX08W/MFA_Carrie_Perreault_SLee_HR-21.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114815081-QKG6GYHPCEJ8XOJX5VZV/MFA_Carrie_Perreault_SLee_HR-23.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626138159548-DMV1HQQA88DLM6G5YT50/20210708_102750-tone.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114808255-TVMF2OE7AS5J4PUVZKDH/MFA_Carrie_Perreault_SLee_HR-22.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114824079-7GDT8YO7Q0BKE0PVAHI7/MFA_Carrie_Perreault_SLee_HR-24.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626115872476-Y1PSGXRTVMIZMEUN3R36/MFA_Carrie_Perreault_SLee_HR-29.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114692350-E4CW7Q5AW4861F5GW0CF/MFA_Carrie_Perreault_SLee_HR-09.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114681440-XNN24BYL8MRY7Y3ULOF0/MFA_Carrie_Perreault_SLee_HR-08.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://static1.squarespace.com/static/544a98f9e4b0e87b24dff0d1/60ec8a0459713006cbe23c20/60ec8a1cfa40056e74d2eadc/1626114588143/ Pacing the House https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114616284-VUTXUW0TKQTAUJ5O1E4O/MFA_Carrie_Perreault_SLee_HR-01.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114671333-LA3JJBGPSH2SYUIC5AKJ/MFA_Carrie_Perreault_SLee_HR-07.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626115611385-I3TUVWN2V8UIVREKQGG3/MFA_Carrie_Perreault_SLee_HR-27.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114718138-7WN1TZYSOWTR5QC1W5GG/MFA_Carrie_Perreault_SLee_HR-12.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626115863175-ET28SWTXWZ7VS5QNLSFR/MFA_Carrie_Perreault_SLee_HR-28.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1626114832186-S3RNZDTB07FOE7BYVF3U/MFA_Carrie_Perreault_SLee_HR-25.jpg Pacing the House - Pacing the House University of Waterloo Art Gallery July 8 - 24, 2021 photo: Scott Lee https://www.carrieperreault.com/undercover-playboy-bunny daily 0.75 2022-01-04 https://www.carrieperreault.com/undercover-playboy-bunny/1 monthly 0.5 2022-01-07 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/a2c51eab-fedc-4916-9486-f06cf873feff/Classically+So+Bored+of+Sweating.jpg Writing - UNDERCOVER PLAYBOY BUNNY by Carrie Perreault - Make it stand out Classically So Bored of Sweating, oil on canvas, 40 x 40 inches, 2018 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/7e8da058-b7cf-4fc7-9370-463731de64db/I+Want+To+Smell+Like+A+Thriving+Stock+Market.jpg Writing - UNDERCOVER PLAYBOY BUNNY by Carrie Perreault - Make it stand out I Want To Smell Like A Thriving Stock Market, oil on canvas, 50 x 50 inches, 2018 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/dca76e64-e396-40e7-8d23-7e381c7995e6/I+Only+Decorate+with+Satire.jpg Writing - UNDERCOVER PLAYBOY BUNNY by Carrie Perreault - Make it stand out I Only Decorate with Satire, oil on canvas, 2019 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/d9708a51-931a-4a4f-aa5e-a1149b76f778/Kayla+Witt%2C+photo+by+b+wijshijer.jpg Writing - UNDERCOVER PLAYBOY BUNNY by Carrie Perreault - Make it stand out Kayla Witt in her studio, 2019. Photo by b wijshijer https://www.carrieperreault.com/flowers daily 0.75 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484512785-PATPEE2B6I178IW4BUQK/flowers+%233.jpg Flowers - flowers #3, 2021 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484512785-PATPEE2B6I178IW4BUQK/flowers+%233.jpg Flowers - flowers #3, 2021 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484545563-5XQG2HC0HGC6O7A9CV7D/flowers+%234.jpg Flowers - flowers #4, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484576074-X755P9WURYOJVGB8IE9U/flowers+%235.jpg Flowers - flowers #5, 2021 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484605578-M24IWZ3P3KGLSTLJ7HFQ/flowers+%236.jpg Flowers - flowers #6, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484633821-JT0XLWY3704EH4C4GRHW/flowers+%237.jpg Flowers - flowers #7, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484664220-BGGCUY44TBV4XK2YICQK/flowers+%238.jpg Flowers - flowers #8, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484695865-MR5AZ6AJOST8UZ330R8D/flowers+%239.jpg Flowers - flowers #9, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484737700-I29DA5R33BS59ZQD9BCJ/flowers+%2310.jpg Flowers - flowers #10, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484768512-YHKCC3E32BFTBFV4M1AJ/flowers+%2311.jpg Flowers - flowers #11, 2021 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646448695857-32B1TDVBVUQMX4HOVACM/flowers+%2310+back.jpg Flowers https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484800298-YNZ1FXT9LF8UIVEPVPW2/flowers+%2312.jpg Flowers - flowers #12, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484826975-DZCQHDCBMEEQY22JPVIV/flowers+%2313.jpg Flowers - flowers #13, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484856214-TKSXXXK1X0076JQZQG4K/flowers+%2314.jpg Flowers - flowers #14, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484883478-VENHEX8GMLEPN09TKTIG/flowers+%2315.jpg Flowers - flowers #15, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1646484900511-HBD6USDR2LK2SUZK2112/flowers+%2316.jpg Flowers - flowers #16, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1657506293547-28SSB59URZ56HSUWI3RC/flowers+%2317.jpg Flowers - flowers #17, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1657506303939-C58QLX8UCEVDJ4W90S9B/flowers+%2318.jpg Flowers - flowers #18, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1657506517939-2BIJMMK4ZZGKONWA8PWA/flowers+%2319.jpg Flowers - flowers #19, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1657506312084-3YCQSORK580HS0SREY5T/flowers+%2320.jpg Flowers - flowers #20, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1657506316684-YC0ADMRPDQJ5V40FUOPJ/flowers+%2321.jpg Flowers - flowers #21, 2022 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1732163824594-0P78TMOM1KPF410NISHF/flowers+%2322.jpg Flowers - flowers #22, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1732163817328-CGQ7KVPAQHJ6ACXEYV2Y/flowers+%2323.jpg Flowers - flowers #23, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1732163828209-EXMZKZQ7234VG5GLY391/flowers+%2324.jpg Flowers - flowers #24, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1732163810232-2V24WGJG35JP46JMR3J1/flowers+%2325.jpg Flowers - flowers #25, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1732163833067-8Q05Q3AXWO71GLRTIOS0/flowers+%2326.jpg Flowers - flowers #26, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1738123254801-YRDTNCGZBACUYNXU55H8/flowers+%2327.jpg Flowers - flowers #27, 2025 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012522443-OM2OHOXW5F81OALU7N92/image-asset.jpeg Flowers - flowers #28, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012555311-NP2TH14N6TDVAAW846CP/image-asset.jpeg Flowers - flowers #29, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012654055-T7U2JQ8WKWEYY7J4EZI7/image-asset.jpeg Flowers - flowers #30, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012677304-5GT35M7BEZ9UCMMYOHNN/image-asset.jpeg Flowers - flowers #31, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012740915-Z2B5YZ6FD80PAUIAH6MC/image-asset.jpeg Flowers - flowers #32, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012766317-7SG6QN6FBB7D8J0JXC4X/image-asset.jpeg Flowers - flowers #33, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012784386-Z441IJKDENV8OE5Y3H5J/image-asset.jpeg Flowers - flowers #34, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012818789-NV9LUQQGEFFJ31L9195M/image-asset.jpeg Flowers - flowers #35, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1738123305199-50QRUOZUJ2SZXE0ITY3R/flowers+%2336.jpg Flowers - flowers #36, 2025 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1735012845021-PEEG0QXHIXM7L32EJERQ/image-asset.jpeg Flowers - flowers #37, 2024 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1738123356699-ETDKJEJNUIXHQ4ONIZKC/flowers+%2338.jpg Flowers - flowers #38, 2025 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1738123389806-8Z1K7LGQYW3SQA3A2O65/flowers+%2339.jpg Flowers - flowers #39, 2025 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1738123448073-MGNSK7E1QK2744KEIIAV/flowers+%2340.jpg Flowers - flowers #40, 2025 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1738123478447-KB5T9LT2PIBOSUAZA3ZS/flowers+%2341.jpg Flowers - flowers #41, 2025 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1738123497961-QVYNTAAXL216ZAZRC9NO/flowers+%2342.jpg Flowers - flowers #42, 2025 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1738123503903-TJ1BE8I2GHWKA0CQOLZP/flowers+%2343.jpg Flowers - flowers #43, 2025 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1770871065362-A8J5SV6BGTLEY5OCOVD1/flowers+%2344.jpg Flowers - flowers #44, 2026 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1770871031195-3UBI2U596WNMMHKARXM6/flowers+%2345.jpg Flowers - flowers #45, 2026 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1770871202403-H41D33UNY4E1E5B3U762/flowers+%2346.jpg Flowers - flowers #46, 2026 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1770871193906-AM3Z5EZIWU0EWJHJICQF/flowers+%2347.jpg Flowers - flowers #47, 2026 Vinyl, gouache, acrylic and latex paint on paper 11 x 14 inches Flowers is a series of intimate paintings that began during the pandemic, when the loss of studio space brought artistic practice into the rhythms of domestic life. Having worked for over a decade as a floral arranger, the artist has long maintained a weekly ritual of keeping fresh flowers in the home. Painted from arrangements gathered around the apartment, the works draw on an enduring relationship with plants shaped by floral design, agricultural labour and everyday acts of care. Working at a small scale, the series considers how repetition, close observation and sustained attention can transform ordinary domestic encounters into acts of making. https://www.carrieperreault.com/pacing-the-house daily 0.75 2022-03-11 https://www.carrieperreault.com/pacing-the-house/2022/3/10/pacing-the-housean-exhibition-of-sculptures-and-drawings monthly 0.5 2022-03-11 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/d57924e5-f46b-4369-82c1-8c7bb4b11b73/Screen+Shot+2022-03-10+at+11.44.59+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 1 Tracey Emin, How It Feels, video, 00:22:33, 1996. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/ce478a25-4d45-4e43-9893-c7ac52687912/Screen+Shot+2022-03-10+at+11.47.21+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 2 Carrie Perreault, drawings and Emovere, Installation of Pacing the House, Waterloo, ON., 2021. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/75760eb4-a38f-4ef7-8061-ec6351034924/Screen+Shot+2022-03-10+at+11.48.38+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 3 Carrie Perreault, drawing #23, (left), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. Fig. 4 Carrie Perreault, drawing #28, (right), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/4b6d368b-99d3-4d50-9df7-73af81752241/Screen+Shot+2022-03-10+at+11.49.35+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 5 Carrie Perreault, drawing #29, (left), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. Fig. 6 Carrie Perreault, drawing #30, (right), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/9e032688-90ae-4f52-a4ad-676d18ec95b1/Screen+Shot+2022-03-10+at+11.50.25+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 7 Carrie Perreault, drawing #16, (left), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. Fig. 8 Carrie Perreault, drawing #38, (right), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/bae58f62-d4a8-499c-9298-05d09d46a892/Screen+Shot+2022-03-10+at+11.51.11+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 9 Carrie Perreault, drawing #21, (left), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. Fig. 10 Carrie Perreault, drawing #20, (right), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/06e9e001-1adc-423a-8ec7-ad0ae7baf774/Screen+Shot+2022-03-10+at+11.52.01+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 11 Carrie Perreault, drawing #33, (left), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. Fig. 12 Carrie Perreault, drawing #34, (right), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/7af83dfd-f65b-4691-85bc-02ea5b34e8ed/Screen+Shot+2022-03-10+at+11.52.42+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 13 Carrie Perreault, drawing #37, (left), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. Fig. 14 Carrie Perreault, drawing #22, (right), mixed media on Stonehenge paper, 15 x 22 in. (38 x 56 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/a01d4a82-852d-4c7a-84e2-302ae04a01bb/Screen+Shot+2022-03-10+at+11.53.33+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 15 Carrie Perreault, Emovere (1, 2, 3), (left), drystone, 4 x 4 x 4 in. (10 x 10 x 10 cm), 4.5 x 4.5 x 4 in. (11.5 x 11.5 x10 cm), 5.5 x 5.5 x 4 in. (14 x 14 x 10 cm), 2020. Fig. 16 Carrie Perreault, Emovere (27), (right), drystone, 11 x 4.5 x 10 in. (28 x 11.5 x 25.5 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/16ef92b3-e53c-40a3-80e0-e78293849c24/Screen+Shot+2022-03-10+at+11.57.40+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 17 Carrie Perreault, Emovere (25), drystone, 7 x 7.5 x 10 in. (17.5 x 19 x 25.5 cm), 2020. Fig. 18 Carrie Perreault, Emovere (10, 11), (right), drystone, 5 x 5 x 7.25 in. (12.5 x 12.5 x 18.5 cm), 4 x 4 x 6 in. (10 x 10 x 15 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/49a5ab05-0213-47b8-8894-8c9af454e000/Screen+Shot+2022-03-10+at+11.58.18+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 19 Carrie Perreault, Emovere (14), (left), drystone, 8 x 4 x 10 in. (20 x 10 x 25.5 cm), 2020. Fig. 20 Carrie Perreault, Emovere (19), (right), drystone, 11 x 4.5 x 10 in. (28 x 11.5 x 25.5 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/fef5d9f6-d24a-4711-beb5-3de283a48c90/Screen+Shot+2022-03-10+at+11.59.06+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 21 Carrie Perreault, Emovere (24), (left), drystone, 13.5 x 7.5 x 5 in. (34 x 19 x 12.5 cm), 2020. Fig. 22 Carrie Perreault, Emovere (8), (right), drystone, 11 x 6 x 6 in. (28 x 15 x 15 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/b1d79aa0-13e7-4268-960e-f3f60918e388/Screen+Shot+2022-03-10+at+11.59.48+PM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 23 Rachel Whiteread, Ghost, Plaster on steel frame, overall: 269 x 355.5 x 317.5 cm (105 7/8 x 139 15/16 x 125 in.), 1990. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/0ea84ebd-9ff2-4e7f-841b-4c0075a9ba7e/Screen+Shot+2022-03-11+at+12.01.52+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 24 Carrie Perreault, We won’t ever feel the storm, drystone, pigment, wood, 96 x 112 x 11 in. (244 x 2825 x 28 cm), 2021. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/21615daa-4caa-467a-bfb5-378eb5adee00/Screen+Shot+2022-03-11+at+12.03.19+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 25 Carrie Perreault, Tire, drystone, powdered pigment, upholstery foam, (individual units) 30 x 30 x 1 in. (76 x 76 x 2.5 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/a28ad24f-cd3f-417e-abc2-1d7b55edfd8e/Screen+Shot+2022-03-11+at+12.04.50+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 26 Carrie Perreault, How many times did you give all your love?, asphalt, resin, paper, (individual units), 12 x 12 x 6 in. (30 x 30 x 15 cm), 2020. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/b95f25df-b645-4458-a398-1ec5c2fa6368/Screen+Shot+2022-03-11+at+12.05.39+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 27 Carrie Perreault, Sometimes I Think I Lost My Guts Too, (left), rubber, black iron, black steel, 840 x 62 x 10 in. (2134 x 158 x 25 cm), 2021. Fig. 28 Carrie Perreault, Sometimes I Think I Lost My Guts Too, (detail), (right), rubber, black iron, black steel, 840 x 62 x 10 in (2134 x 158 x 25 cm), 2021. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/2861cdce-65f4-4b07-9d6e-16277e06f3e4/Screen+Shot+2022-03-11+at+12.06.55+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 29 Carrie Perreault, We won’t ever feel the storm, Tire, Emovere, and drawings, Installation of Pacing the House, Waterloo, ON., 2021. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/77b37d9e-f517-45e2-aa6c-4361404bd658/Screen+Shot+2022-03-11+at+12.07.52+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 30 Carrie Perreault, How many times did you give all your love?, Sometimes I Think I Lost My Guts Too, We won’t ever feel the storm, and Tire, Installation of Pacing the House, Waterloo, ON., 2021. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/c6b808bf-dde4-40be-880a-52f318bc19af/Screen+Shot+2022-03-11+at+12.08.41+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 31 Carrie Perreault, How many times did you give all your love?, Sometimes I Think I Lost My Guts Too, and We won’t ever feel the storm, Installation of Pacing the House, Waterloo, ON., 2021. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/ab408837-ee9f-4948-a3df-475e891fec13/Screen+Shot+2022-03-11+at+12.09.20+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 32 Carrie Perreault, How many times did you give all your love? and Sometimes I Think I Lost My Guts Too, Installation of Pacing the House, Waterloo, ON., 2021. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/8d29f05a-63e2-4cfb-a234-9b85ba9c86e6/Screen+Shot+2022-03-11+at+12.10.12+AM.jpg Pacing the House—An Exhibition of Sculptures and Drawings - PACING THE HOUSE—An Exhibition of Sculptures and Drawings by Carrie Perreault - Make it stand out Fig. 33 Carrie Perreault, How many times did you give all your love? and Sometimes I Think I Lost My Guts Too, Installation of Pacing the House, Waterloo, ON., 2021. https://www.carrieperreault.com/the-artist-project daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1724121726684-AFFPUR3PSA8QVS2J2D6Y/20240410_170747.jpg The Artist Project https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1724121726684-AFFPUR3PSA8QVS2J2D6Y/20240410_170747.jpg The Artist Project https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1724121729042-BFGSESHR68NVF7KP0NBZ/20240413_115950.jpg The Artist Project https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1724121726644-6VHUPASXNFRQ7ERD35K4/20240410_170756.jpg The Artist Project https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1724121740018-ZIKQOXVDSPI8XV8Q28WF/20240413_120038.jpg The Artist Project https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1724121737157-ISN98RNP3NSV1YG2DQ2U/20240414_111006.jpg The Artist Project https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1724121742492-DN19MHZG4VKF58UMVB7C/20240413_120109.jpg The Artist Project https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1724121744633-5BN8BZBX9FK1CW9A567T/20240413_120830.jpg The Artist Project https://www.carrieperreault.com/events-and-workshops daily 0.75 2026-04-23 https://www.carrieperreault.com/events-and-workshops/2026/5/28/camera-less-image-making-along-the-humber-river monthly 0.5 2026-04-23 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/08ecdafc-dbde-4b88-8133-f3fbf62d59b7/urbans+arts+about.jpg Events and Workshops - Camera-less Image making along the Humber River - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/6dd50a1d-b64f-41fb-a3d7-0cba6b583f0a/Screen+Shot+2026-04-23+at+12.51.24+PM.jpg Events and Workshops - Camera-less Image making along the Humber River - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/events-and-workshops/2026/7/25/connecting-community-in-the-park monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/91aecfb5-227d-49ac-b6c2-c5fa3f7adebc/Raymore+Park+Project+Celebration_July+25%2C+6-8+PM.jpg Events and Workshops - Project Unveiling Celebration - CONNECTING COMMUNITY IN THE PARK - Saturday, July 25 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/events-and-workshops/2026/6/27/connecting-community-in-the-park monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/e3c60895-6ba0-48ef-b01b-e29f5cc0a101/1.png Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Saturday, Ju - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/a0af83f5-333f-4815-91ee-a3a91ff5f821/2.png Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Saturday, Ju - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/events-and-workshops/2026/6/20/connecting-community-in-the-park monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/e3c60895-6ba0-48ef-b01b-e29f5cc0a101/1.png Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Saturday, June 20 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/a0af83f5-333f-4815-91ee-a3a91ff5f821/2.png Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Saturday, June 20 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/events-and-workshops/2026/6/13/connecting-community-in-the-park monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/e3c60895-6ba0-48ef-b01b-e29f5cc0a101/1.png Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Saturday, June 13 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/a0af83f5-333f-4815-91ee-a3a91ff5f821/2.png Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Saturday, June 13 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/events-and-workshops/phytogram-workshop-along-the-humber-river-may4 monthly 0.5 2025-04-27 https://www.carrieperreault.com/events-and-workshops/2025/4/18/connecting-community-in-the-park-33a7e-rybcx monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/cd1e0b58-a1a0-4c3f-9a41-ebbeadba5481/Perreault_poster.jpg Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Saturday, May 3 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/events-and-workshops/2025/4/18/connecting-community-in-the-park-33a7e monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/cd1e0b58-a1a0-4c3f-9a41-ebbeadba5481/Perreault_poster.jpg Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Saturday, April 26 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/events-and-workshops/2025/4/18/connecting-community-in-the-park monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/cd1e0b58-a1a0-4c3f-9a41-ebbeadba5481/Perreault_poster.jpg Events and Workshops - CONNECTING COMMUNITY IN THE PARK - A public art project - Friday, April 18 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/events-and-workshops/2025/1/31/flowers-in-the-bathroom monthly 0.5 2025-01-11 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/f41e4686-998a-45bd-be81-3f186082b2f0/flower+banner.jpg Events and Workshops - flowers in the bathroom exhibition - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.carrieperreault.com/we-must-love-and-support-one-another-2025 daily 0.75 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156708065-9UF1J29CQHR1CJ76YDOQ/image-asset.jpeg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156708065-9UF1J29CQHR1CJ76YDOQ/image-asset.jpeg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156780816-87MVHFP4Y7MRRGZI9SUO/3_Carrie+Perreault_Installation+%28005+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156770569-XGUWWYDUXOSJV33P7Z7K/2_Carrie+Perreault_Installation+%28004+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156786979-47S3KHMUMS5E75HVSP6C/4_Carrie+Perreault_Installation+%28006+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156797338-D5W5BOBBLQNQUU92IBAI/6_Carrie+Perreault_Installation+%28013+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156791964-6TATJG3RTB6LDG8RE4Z3/5_Carrie+Perreault_Installation+%28010+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156802864-13Y182N8APULW6LU0A9S/7_Carrie+Perreault_Installation+%28014+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156813438-ZXN6WNY9AHT7U2DLDN9Q/9_Carrie+Perreault_Installation+%28017+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156808649-C704MSRVU18JPY82OHKY/8_Carrie+Perreault_Installation+%28015+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156816941-XR93JIUDRWNR5O4U74SW/10_Carrie+Perreault_Installation+%28021+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156839659-E18IU7O9T7R32FHFJM32/14_Carrie+Perreault_Installation+%28033+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156824480-QPNTSDZDNLP0YBITIQ4Z/11_Carrie+Perreault_Installation+%28023+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156830250-HGYRYSHORNW0KU0HKMHW/12_Carrie+Perreault_Installation+%28025+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1753156836324-2UEZRLQB8SBCS25YPV0T/13_Carrie+Perreault_Installation+%28026+of+036%29.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766904291551-GB7VLXFNU4TAOCBLYNP2/2025_magic+water+space.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Poster by 15-year-old Elizabeth Thorogood during one of three spring workshops at Raymore Park. Elizabeth’s poster was used as the text for the installation project in the same park. We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766904305267-MDZCGKH7QN7AEDOOU5PQ/we+must+love-autumn+1.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766904304912-UC4G76UF1O8JZBTZ1BMC/we+must+love-autumn+2.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622830536-O9GYFDUM97UX0TB6X619/perreault_park_2.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. Photo: Rémi Carreiro We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766904315897-T6Z1SB7H3E9ADSC2XE6Q/we+must+love-autumn+3.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766904315770-YMKPLR5QS2Y7122HNR63/we+must+love-autumn+4.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 x 1320 inches. We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622769511-V4DVHZ12BOVS2NIXMP8V/20250511_091951.jpg We Must Love and Support One Another (2025) - We Must Love and Support One Another, 2025 Poster made by a participant during one of three spring workshops at Raymore Park. We Must Love and Support One Another is a community-engaged public art project exploring belonging, care and relationships between people and place. Developed through three open-air workshops in Raymore Park, Toronto, the project invited neighbours to create signs expressing what they love, value and hope for in their community. The resulting 110-foot text installation along the Humber River features the words of 15-year-old Elizabeth Thorogood: “My favourite thing about this place is the magic water space.” Transforming an ordinary chain-link fence into a collective expression of affection and optimism, the work considers placemaking as an act of listening, attention and care. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622908035-3GR5N2L0ITHRQ9QXRJ9F/20250503_125339.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622786432-1QVBLP03QDN26KSIYKD5/20250511_094959.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774623007612-F7R1B8NSAJXDSOAYV2MM/park+select+5.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622856162-GVKFWZEH4JW7Q3LAZ0OD/carrie-3.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622852130-OY0BYER08CWFKZ1BXRGY/20250511_091924.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622933727-6CPEX5PTECU25KBYGLX8/20250503_145741.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622997333-OJSM0W4C0PJUZQTY31CD/park+select+10.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774623017787-RMEOYPIQLQBK7VRGTBI6/park+select+8.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774623041518-72LIKRX5G7ER3V2DFLCC/20250511_092908.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1780320236715-FOQI4DJFKYGBLW50N2ZN/we+must+love+and+january2.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774622944690-N6W6IE2LEV0DEQO3G6YI/20251211_113947.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1774623058600-J956RKTH44UL6MOB74YH/20251211_114101.jpg We Must Love and Support One Another (2025) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1780320229073-29NZM6AIZ114B6R7U3NZ/we+must+love+and+january1.jpg We Must Love and Support One Another (2025) https://www.carrieperreault.com/phytograms-in-andore daily 0.75 2025-12-10 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386352894-0CA6FKG91H8PKQYTHMA1/phyotogram5x7001.jpg Phytograms in Andore - Andore #1 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386352894-0CA6FKG91H8PKQYTHMA1/phyotogram5x7001.jpg Phytograms in Andore - Andore #1 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386353389-RK6BBRLXFBXNTBI4UKBV/phyotogram5x7002.jpg Phytograms in Andore - Andore #2 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386357832-RDS8LAK2XB7W89X7VDHK/phyotogram5x7003.jpg Phytograms in Andore - Andore #3 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386358357-22B41JQQI1HPOJJN2RH1/phyotogram5x7004.jpg Phytograms in Andore - Andore #4 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386362478-ZFFV9WCEGZJMOP4UL7VA/phyotogram5x7005.jpg Phytograms in Andore - Andore #5 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386363464-MVUTPT59BP87UKWCMPMV/phyotogram5x7006.jpg Phytograms in Andore - Andore #6 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386366722-24JZLOD52TLY1IXRH7NG/phyotogram5x7008.jpg Phytograms in Andore - Andore #7 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386367675-NOA8MNGGXCSAXXVN9W4V/phyotogram5x7009.jpg Phytograms in Andore - Andore #8 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386371678-ERX9BNBH3HQCEHA5PUCU/phyotogram5x7010.jpg Phytograms in Andore - Andore #9 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386372825-6VIFYTKGJ4A2DYD1M96N/phyotogram5x7011.jpg Phytograms in Andore - Andore #10 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386376172-T95SGEOBAWN3BF8ZAISK/phyotogram5x7012.jpg Phytograms in Andore - Andore #11 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386377057-5Z9L4AFDUHQ0JTCB2FI6/phyotogram5x7013.jpg Phytograms in Andore - Andore #12 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386380618-SA3YGQINSFBX80NWWV9Q/phyotogram5x7014.jpg Phytograms in Andore - Andore #13 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386381378-ZP5Q3O7OVDKHZXYFXC2O/phyotogram5x7015.jpg Phytograms in Andore - Andore #14 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386383700-PSNEBXQLJYTH3K3M8PSU/phyotogram5x7007.jpg Phytograms in Andore - Andore #15 Image created in Andore using plants from the foothills of the Aravalli Range and/or marigolds, pink Rajasthani roses, chrysanthemums, and pomegranates. 5 × 7 inches https://www.carrieperreault.com/bricks daily 0.75 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766894979137-RU7400TJ26B2M5R68QC8/brick-1A.jpg Bricks - Brick #1, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766894979137-RU7400TJ26B2M5R68QC8/brick-1A.jpg Bricks - Brick #1, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766894980451-83DLGXUP1B0LAN205E6S/brick-1E.jpg Bricks - Brick #1, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766894990380-0478D6AT1XZW7FBE69ZY/brick-1C.jpg Bricks - Brick #1, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766894990413-QOGJDIML47WIAX1YI8TP/brick-1D.jpg Bricks - Brick #1, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766894997168-465FXBRQ8C4YY0SJAYM9/brick-1B.jpg Bricks - Brick #1, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895001662-HZYU9G3RUADFGKP9DCT3/brick-2A.jpg Bricks - Brick #2, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895019956-OY1G32Q4HEKP98R5HHUH/brick-2B.jpg Bricks - Brick #2, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895008826-KBLQT5Q97K7Z6DW2DL9Y/brick-2D.jpg Bricks - Brick #2, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895014182-02OSZK369U3S507POR0R/brick-2C.jpg Bricks - Brick #2, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895039006-8U39JR4T3QJD8WMDEMJN/brick-3A.jpg Bricks - Brick #3, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895033739-V9IP7DPCIU9HOOUGQUEP/brick-3B.jpg Bricks - Brick #3, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895026341-H1D4IDCF9VS4PU62IKHY/brick-3C.jpg Bricks - Brick #3, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895043714-5AANAG4JCGIUVRVRTWUX/brick-4A.jpg Bricks - Brick #4, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895067068-036G7O9TK3AV4TYHRDDE/brick-4B.jpg Bricks - Brick #4, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895057743-LZRDG50UM5O03IM6AR67/brick-4C.jpg Bricks - Brick #4, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895049685-QCHDY24TJ2IE9XN0MHWZ/brick-4D.jpg Bricks - Brick #4, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895083219-5BV1CFAWPZH99TPLQ9B5/brick-5A.jpg Bricks - Brick #5, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895077571-Z6N8ECHKEXFBVVFC4IRN/brick-5B.jpg Bricks - Brick #5, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895072529-9YQ5CI3G65KGHDBTU9CT/brick-5C.jpg Bricks - Brick #5, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895102007-4UE6ZXMSEGO9VQHPVNUQ/brick-6A.jpg Bricks - Brick #6, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895095566-LAWBDF7TF0ALJ51ORPVL/brick-6B.jpg Bricks - Brick #6, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895089328-D6P8DYNNVUD96FVX4279/brick-6C.jpg Bricks - Brick #6, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895118377-L7LFAAW385E8SZAOC950/brick-7A.jpg Bricks - Brick #7, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895113671-S557K1IKW0PJNDDPXTGJ/brick-7B.jpg Bricks - Brick #7, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895106930-J628O474Z93YYIXIXUZV/brick-7C.jpg Bricks - Brick #7, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895146743-IXBPA7ROK9LEKN0RDCAD/brick-8A.jpg Bricks - Brick #8, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895129630-UV29IHKOP9XGQSGQANVP/brick-8D.jpg Bricks - Brick #8, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895142132-P6UQARROEU050MC636FI/brick-8B.jpg Bricks - Brick #8, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895135103-I1HLZRC2QTXJWFI7OMMH/brick-8C.jpg Bricks - Brick #8, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766895123782-M75NNKNMC11W33UQMW0W/brick-8E.jpg Bricks - Brick #8, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1766894963240-PO9XPW2QDFFUGD2XLPZA/bricks-group.jpg Bricks - Brick #1-8, 2025 Bricks made by Bhuraji Prajapat in Andore, Rajasthan and hand-painted by Syam Ji from Jodphur, Rajasthan 9 × 4 × 3 inches Bricks is a collaborative project bringing together two distinct craft traditions in Rajasthan, India. The work began with a visit to Bhuraji Prajapat’s brick field and kiln, where approximately 10,000 bricks are handmade daily using traditional moulding and firing methods. Bricks collected from the kiln became the surfaces for miniature paintings by Syam Ji, an artist from Jodhpur, who travelled to Andore to collaborate on the project. Bringing together the physical labour of brickmaking and the precision of miniature painting, the works explore relationships between material, craftsmanship and cultural knowledge. Low-fired and inherently fragile, the bricks continue to shed fine flakes of dust as they are displayed. Their gradual erosion is an ongoing part of the work. Over time, the painted surfaces and the bricks themselves will deteriorate, eventually disappearing entirely. This inevitable loss introduces questions of impermanence, material memory and the passing of knowledge across generations. https://www.carrieperreault.com/we-must-love-and-support-one-another-2026 daily 0.75 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032319030-XHAX8Q8NAF12GZDQICY3/perreault-image+3.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Mario Rivas We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032319030-XHAX8Q8NAF12GZDQICY3/perreault-image+3.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Mario Rivas We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032537109-6T9CMDV2F7ARTKQKA4F4/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28001+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032538822-YE1TC0CWGYSJT57VPM44/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28003+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032540436-N2IXELZ8S71H792DXUNS/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28004+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032542861-GL0R4VUKDILNYTLN14F9/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28005+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032543914-VGHY2L5VR1H2IASAIZZ2/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28006+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032546870-0GS336WX5IEF2JLIAGAC/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28007+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032549119-9LIK82SXYMEKHJ76PA3D/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28008+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032552276-6QKOR4P731NR82GY01KJ/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28009+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032559289-LAHN255W4JBC4MBXAEJK/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28010+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032560765-5T4LDHUIGB53SFQOCZ1D/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28012+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032565781-BD1MFN53VEXEY5UAHEQF/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28029+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032571552-UR54XFXFK5BFS2A5MQT6/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28030+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032577465-HMOGT09Q81M5J815I3UL/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28031+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1790032578494-W4QPLIX4OTK355PZS5EW/web_Re%CC%81mi+Carreiro_2623_Carrie+Perreault_Installation+%28033+of+033%29.jpg We Must Love and Support One Another (2026) - We Must Love and Support One Another, 2026 Installation view, Site-specific installation - Raymore Park, Toronto Colour plastic, 36 × 2568 inches. Photo: Rémi Carreiro We Must (still) Love and Support One Another is an ongoing, community-engaged public art project rooted in Toronto’s Weston neighbourhood and the Humber River. Through a series of open-air workshops in Raymore Park, neighbours gather to make signs, share stories and reflect on their relationships with the place and one another. Words contributed by community members become large-scale, text-based installations woven into the park’s chain-link fence, transforming an ordinary piece of infrastructure into a public expression of collective care. Returning to the same site each year, the project considers how relationships deepen through sustained attention, repeated encounters and shared experiences. The river, its wildlife and the people who gather along its banks become active participants in the work. At its heart, the project asks what it means to belong to a place, to care for its inhabitants, human and otherwise, and to recognize the possibilities of community through everyday acts of listening, making and being together. https://www.carrieperreault.com/home daily 1.0 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1563659689590-QLJS9B16FIUUHV275WTT/20190712_165908.jpg Carrie Perreault https://www.carrieperreault.com/cookbook-1 daily 0.75 2019-12-13 https://www.carrieperreault.com/live-performances daily 0.75 2020-02-04 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498450092387-JRC4NU7RLLYH5NZXO5LU/01+i+can%27t+do+this+carrie+perreault.jpg Live https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500863868629-9UIUZWH1QPDZDIAG0F2J/image-asset.jpeg Live I Can't Do This on My Own, 2017 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1429499833942-LE7SF43X1U3ENCP1F4CV/image-asset.jpeg Live Impossible Conversations, 2015 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1451076349505-3GM9L4IQ1ADXX4S1VSUY/image-asset.png Live Because Everyone Needs Their Hand Held Sometimes, 2014 https://www.carrieperreault.com/contact daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500867660367-3Q3G5CLBGYVM6MZK32DS/say+hello.jpg Contact https://www.carrieperreault.com/various-audio daily 0.75 2017-06-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498450355871-GXCK8CU0PIRNDRYDLXUI/garbage+carrie+perreault.JPG Various Audio https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498016151572-G0E8TLJFD7HV4XCDQ5RX/garbage+carrie+perreault Various Audio https://www.carrieperreault.com/field-recordings-2013 daily 0.75 2017-06-25 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498450459903-1SJ3NQ3BCOHZKY1HC20X/cambodia+flower+market+carrie+perreault.jpg Field Recordings 2013 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498015329359-4OXWR6YPLGX8DWDHGLQ3/525436_10151520928980609_703687715_n.jpg Field Recordings 2013 https://www.carrieperreault.com/field-recordings-2017 daily 0.75 2019-11-02 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498450439138-5UMWRRR01QL17DGSI8A3/pool+carrie+perreault.jpg Field Recordings 2017 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498187043321-28U0GSGXOSMH62VJKKAT/525436_10151520928980609_703687715_n.jpg Field Recordings 2017 https://www.carrieperreault.com/the-kitchen daily 0.75 2020-01-02 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1577946397303-LAJ56HGIPBJDDG85I8YT/cover+info.jpg Copy of The Kitchen https://www.carrieperreault.com/various-performances-1 daily 0.75 2020-02-02 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1498450092387-JRC4NU7RLLYH5NZXO5LU/01+i+can%27t+do+this+carrie+perreault.jpg Various Performances (Copy) https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1503287603219-Z55SO4H6560F13O4OOW8/image-asset.jpeg Various Performances (Copy) There Are Other Things We Can Talk About, 2017 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1500863868629-9UIUZWH1QPDZDIAG0F2J/image-asset.jpeg Various Performances (Copy) I Can't Do This on My Own, 2017 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1429499833942-LE7SF43X1U3ENCP1F4CV/image-asset.jpeg Various Performances (Copy) Impossible Conversations, 2015 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1451076349505-3GM9L4IQ1ADXX4S1VSUY/image-asset.png Various Performances (Copy) Because Everyone Needs Their Hand 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https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1608526631974-2GX5HMI2PVZHWRPAJRZS/flowers-2.jpg These are for you These Are For You, 2012 Fresh flowers in vases in the Brock University Library, made specifically for the cleaning person who always closely observes the cases https://www.carrieperreault.com/courage daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/22fc5cdf-0d93-416e-aa3d-992e051a8af3/COURAGE.JPG I wish I had the courage to tell you I Wish I Had the Courage To Tell You, 2014 Artist’s hair, bone, bamboo, string, ink, 48 x 12 x 2 inches https://www.carrieperreault.com/ephemeral-sculptures daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607834538819-628WKBCBDCXCEZKS0HHW/ephemeral-1.jpg Ephemeral Sculptures Ephemeral Sculptures, 2012 Used tissues, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607834565475-747H7GK7V5UUFWO4NAT8/ephemeral-2.jpg Ephemeral Sculptures Ephemeral Sculptures, 2012 Used tissues, dimensions variable https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1607834570222-5H17EE99CDJ3N0XDQ5M8/ephemeral-3.jpg Ephemeral Sculptures Ephemeral Sculptures, 2012 Used tissues, dimensions variable https://www.carrieperreault.com/lets-see-where-the-night-goes daily 0.75 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1469325715091-CAI97TUMXZFUAYJAVEBH/CP+Keyboards.JPG Let's see where the night goes Let's See Where the Night Goes, 2016 Keyboards, 17 x 22 inches https://www.carrieperreault.com/the-secret-life-of-machines-2027 daily 0.75 2026-10-22 https://www.carrieperreault.com/between-fields-2027 daily 0.75 2026-10-22 https://www.carrieperreault.com/about daily 0.75 2026-10-22 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Swim 074 https://www.carrieperreault.com/shop-swim-drawings/2023-swim-033-1-38gwy-jafxj-p9cy9-dsm6c-4ak43-by7ja-tdb7a-jhyzl-2y3ch-byfrd-c4b27-6wy6e-lgy2w-237pn-nxn8d-pxae8-42fpx-4a59w-psmd4-d6h5z monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/770fd382-6aea-4474-92a0-0dc41861730a/2025_swim075.jpg Shop - Swim Drawings - 2025 Swim 075 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687621653-TVJM8EXT84S7UNRDWF4D/2023_swim042.jpg Shop - Swim Drawings - 2025 Swim 075 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687606552-OCO5USHQNKTB43E9UZ8D/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 075 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687581998-01BJ43YFWS59YT9X7NRA/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 075 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687567481-SLZT4A8ZSBEYC9KFD91C/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 075 https://www.carrieperreault.com/shop-swim-drawings/2023-swim-033-1-38gwy-jafxj-p9cy9-dsm6c-4ak43-by7ja-tdb7a-jhyzl-2y3ch-byfrd-c4b27-6wy6e-lgy2w-237pn-nxn8d-pxae8-42fpx-4a59w-psmd4-d6h5z-nz3jc monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/0a3130b1-11ca-4f2a-b669-e1c6d521c7f5/2025_swim076.jpg Shop - Swim Drawings - 2025 Swim 076 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687621653-TVJM8EXT84S7UNRDWF4D/2023_swim042.jpg Shop - Swim Drawings - 2025 Swim 076 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687606552-OCO5USHQNKTB43E9UZ8D/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 076 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687581998-01BJ43YFWS59YT9X7NRA/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 076 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Swim Drawings - 2025 Swim 107 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687581998-01BJ43YFWS59YT9X7NRA/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 107 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687567481-SLZT4A8ZSBEYC9KFD91C/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 107 https://www.carrieperreault.com/shop-swim-drawings/nkhh7z3wxsfyt48-3alms-pl35n-834s5-pxnz3-667e7-bzcbm-4kcmx-cd54y-xjxgc-7p48z-ryawp-7j2p2-h5xfy-s8fd6-td8rw-ahhzm-rtg4l-hp86x-fkn6c-dbpf5-ckp5t-h9fn3-226yr-gx7jx monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/5103f720-a601-4a6d-b94e-3b6a4d996b55/2025_swim110.jpg Shop - Swim Drawings - 2025 Swim 110 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687621653-TVJM8EXT84S7UNRDWF4D/2023_swim042.jpg Shop - Swim Drawings - 2025 Swim 110 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687606552-OCO5USHQNKTB43E9UZ8D/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 110 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687581998-01BJ43YFWS59YT9X7NRA/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 110 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687567481-SLZT4A8ZSBEYC9KFD91C/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 110 https://www.carrieperreault.com/shop-swim-drawings/nkhh7z3wxsfyt48-3alms-pl35n-834s5-pxnz3-667e7-bzcbm-4kcmx-cd54y-xjxgc-7p48z-ryawp-7j2p2-h5xfy-s8fd6-td8rw-ahhzm-rtg4l-hp86x-fkn6c-dbpf5-ckp5t-h9fn3-226yr-gx7jx-wxzyr monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/d0432199-a4d6-4f97-9272-4313a917864c/2025_swim111.jpg Shop - Swim Drawings - 2025 Swim 111 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https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/c8b3074a-67af-4f0f-a165-2c5ddb4d701a/2025_swim113.jpg Shop - Swim Drawings - 2025 Swim 113 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687621653-TVJM8EXT84S7UNRDWF4D/2023_swim042.jpg Shop - Swim Drawings - 2025 Swim 113 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687606552-OCO5USHQNKTB43E9UZ8D/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 113 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687581998-01BJ43YFWS59YT9X7NRA/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 113 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676687567481-SLZT4A8ZSBEYC9KFD91C/2023_swim030.jpg Shop - Swim Drawings - 2025 Swim 113 https://www.carrieperreault.com/shop-swim-drawings/2023-swim-033 monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1675129360124-Y2M7W7YY7GFK6CPEKSBG/2023_swim033-resized.jpg Shop - Swim Drawings - 2023 Swim 033 https://www.carrieperreault.com/shop-swim-drawings/2023-swim-033-9daem monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1676770322292-12EW1M0PIBRYYILUHSIC/2023_swim032.jpg Shop - Swim Drawings - 2023 Swim 032 https://www.carrieperreault.com/shop-swim-drawings/2023-swim-031 monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1675128650564-46HSSJSE44DDFGXHJPXJ/2023_swim031-resized.jpg Shop - Swim Drawings - 2023 Swim 031 https://www.carrieperreault.com/shop-swim-drawings/2023-swim-029 monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1675129382505-7R3ORLQTNY6EJCWFDFUZ/2023_swim029-resized.jpg Shop - Swim Drawings - 2023 Swim 029 https://www.carrieperreault.com/shop-swim-drawings/2021-swim-009 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https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/dea6ac08-7bb1-41bd-a286-7fb92a4e3fda/flowers+%2319.jpg Shop - Flower Paintings - flowers #19 (framed), 2022 - flowers #19.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/5fb914a5-4921-4aed-8d03-77d7456ac0c5/flowers+%2319+framed.jpg Shop - Flower Paintings - flowers #19 (framed), 2022 - flowers #19 framed.jpg https://www.carrieperreault.com/shop-flower-paintings/flowers-8-framed-2022-ypfyd-fr7ck-kj6d7-wf7kj-87rpx monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/dcc8ed08-45ac-413d-a35f-e89f21977915/flowers+%2322.jpg Shop - Flower Paintings - flowers #22 (framed), 2024 - flowers #22.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/fe150282-be08-42a6-a5ab-41b9366b7313/flowers+%2322+back.jpg Shop - Flower Paintings - flowers #22 (framed), 2024 - flowers #22 back.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/52b51f06-eef2-43b3-b9dd-33a8af0c6546/flowers+%2322+framed.jpg Shop - Flower Paintings - flowers #22 (framed), 2024 - flowers #22 framed.jpg https://www.carrieperreault.com/shop-flower-paintings/flowers-8-framed-2022-ypfyd-fr7ck-kj6d7-wf7kj-87rpx-mxjnb monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/ef657966-186a-40dc-bbbc-b59904d89636/flowers+%2326.jpg Shop - Flower Paintings - flowers #26 (framed), 2024 - flowers #26.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/2863a0ce-2c52-4357-a793-1a59432a126f/flowers+%2326+back.jpg Shop - Flower Paintings - flowers #26 (framed), 2024 - flowers #26 back.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/2d8ee6d4-8d20-4dcc-983e-f8e63308e3d8/flowers+%2326+framed.jpg Shop - Flower Paintings - flowers #26 (framed), 2024 - flowers #26 framed.jpg 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https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/d24111d0-3b15-4f43-a356-cda3c61a87dc/flowers+%2331.jpg Shop - Flower Paintings - flowers #31 (framed), 2024 - flowers #31.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/62cc803d-0f3f-4735-b92a-ec0124c33217/flowers+%2331+back.jpg Shop - Flower Paintings - flowers #31 (framed), 2024 - flowers #31 back.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/d469f907-c274-449d-a29c-95aecdf9db9f/flowers+%2331+framed.jpg Shop - Flower Paintings - flowers #31 (framed), 2024 - flowers #31 framed.jpg https://www.carrieperreault.com/shop-flower-paintings/flowers-8-framed-2022-ypfyd-fr7ck-kj6d7-wf7kj-87rpx-mxjnb-f3ssf-6j8x3-tcxln monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/6e3fcad2-9f08-4477-90f2-91e71553f932/flowers+%2335.jpg Shop - Flower Paintings - flowers #35 (framed), 2024 - flowers #35.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/61265b60-573b-4a40-9cf1-0c5f115dc7db/flowers+%2335+back.jpg Shop - Flower Paintings - flowers #35 (framed), 2024 - flowers #35 back.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/a6d50d85-97c2-4524-a5f9-7fcd59ece37c/flowers+%2335+framed.jpg Shop - Flower Paintings - flowers #35 (framed), 2024 - flowers #35 framed.jpg https://www.carrieperreault.com/shop-flower-paintings/flowers-8-framed-2022-ypfyd-fr7ck-kj6d7-wf7kj-87rpx-mxjnb-f3ssf-6j8x3-tcxln-2ca6b monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/ec4604fa-a54b-4689-8010-66b2923f2168/flowers+%2338.jpg Shop - Flower Paintings - flowers #38 (framed), 2025 - flowers #38.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/abdd025b-95df-4acd-a480-51bcee082db6/flowers+%2338+back.jpg Shop - Flower Paintings - flowers #38 (framed), 2025 - flowers #38 back.jpg 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https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/aadf9ebd-02d0-45b0-85f6-840b7654488c/flowers+%237.jpg Shop - Flower Paintings - flowers #7 (framed), 2022 - flowers #7.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/a87fc500-29c4-4161-beae-587d6539863c/flowers+%237+framed.jpg Shop - Flower Paintings - flowers #7 (framed), 2022 - flowers #7 framed.jpg https://www.carrieperreault.com/shop-flower-paintings/flowers-7-framed-2022-szxcd monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/22bb5d63-d8b6-4087-87f6-ab36e5554e4b/flowers+%2314.jpg Shop - Flower Paintings - flowers #14 (framed), 2022 - flowers #14.jpg https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/163d9f9d-8e53-4307-b48e-5a4fd0b7bc12/flowers+%2314+back.jpg Shop - Flower Paintings - flowers #14 (framed), 2022 - flowers #14 back.jpg 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https://www.carrieperreault.com/shop-phytograms-from-andore/phytogram-3 monthly 0.5 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386357832-RDS8LAK2XB7W89X7VDHK/phyotogram5x7003.jpg Shop - Phytograms from Andore - Andore #3 - phyotogram5x7003.jpg https://www.carrieperreault.com/shop-phytograms-from-andore/phytogram-2 monthly 0.5 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386353389-RK6BBRLXFBXNTBI4UKBV/phyotogram5x7002.jpg Shop - Phytograms from Andore - Andore #2 - phyotogram5x7002.jpg https://www.carrieperreault.com/shop-phytograms-from-andore/phytogram-1 monthly 0.5 2026-10-26 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1765386352894-0CA6FKG91H8PKQYTHMA1/phyotogram5x7001.jpg Shop - Phytograms from Andore - Andore #1 - phyotogram5x7001.jpg https://www.carrieperreault.com/shop-project-sketches daily 0.75 2026-10-21 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https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1645287080200-06FRQ98H228TTGGSVSVS/hvac.jpeg Shop - Project Sketches - hvac, 2020 - hvac.jpeg https://www.carrieperreault.com/shop-project-sketches/asphalt-5-2020-jzyl6-7zfw7-9x4g3-9j96y monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1645287106195-96GOTYAOLC5DGGFFYGCM/park_1.jpeg Shop - Project Sketches - park 1, 2020 - park_1.jpeg https://www.carrieperreault.com/shop-project-sketches/asphalt-5-2020-jzyl6-7zfw7-9x4g3-9j96y-wm5tl monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1645287131814-J26QDKDKXJ7DJ60XNSZR/park_2.jpeg Shop - Project Sketches - park 2, 2020 - park_2.jpeg https://www.carrieperreault.com/shop-project-sketches/asphalt-5-2020-jzyl6-7zfw7-9x4g3-9j96y-wm5tl-62hhf monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1645287158868-4XUEKTSNIEBF5A4EZJ6Y/rubber+balls.jpeg Shop - Project Sketches - rubber balls, 2020 - rubber balls.jpeg https://www.carrieperreault.com/shop-project-sketches/asphalt-5-2020-jzyl6-7zfw7-9x4g3-9j96y-wm5tl-62hhf-mtes6 monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1645287187231-ZNZ1A0OQC4O8ZBZ9E9BC/sky+recordings.jpeg Shop - Project Sketches - sky recordings, 2020 - sky recordings.jpeg https://www.carrieperreault.com/shop-drawings-13-44 daily 0.75 2026-10-21 https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020 monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602487824060-MBZ954QF6FGT6RC0W0N6/cp013.jpg Shop - Drawings #13-44 - drawing #13, 2020 - cp013.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9 monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645787512-3NU187EUP53AD258ZBQN/cp014.jpg Shop - Drawings #13-44 - drawing #14, 2020 - cp014.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7 monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645787963-JIRHJ86B8QTJEQLEUETU/cp016.jpg Shop - Drawings #13-44 - drawing #16, 2020 - cp016.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1602645789469-0WCODRUTMOY7PXABC13B/cp020.jpg Shop - Drawings #13-44 - drawing #20, 2020 - cp020.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644896733963-XWNEKRGL5YL1MYH8ZRAM/cp021.jpg Shop - Drawings #13-44 - drawing #21, 2020 - cp021.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-b8z2r monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644896779364-U5P0C6EEMTODFXURW8PL/cp022.jpg Shop - Drawings #13-44 - drawing #22, 2020 - cp022.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-b8z2r-5eze9 monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644896834191-2GKYALUO9KDSX1WIGX4E/cp023.jpg Shop - Drawings #13-44 - drawing #23, 2020 - cp023.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-b8z2r-5eze9-4gfgs monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644896883026-5TJ0XXP0179ITGPXWYNS/cp026.jpg Shop - Drawings #13-44 - drawing #26, 2020 - cp026.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-sn45f monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644896982151-23KX1FJTURFQV2BVSB0Z/cp028.jpg Shop - Drawings #13-44 - drawing #28, 2020 - cp028.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-b8z2r-5eze9-4gfgs-ryawd monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644896994386-PCOPBSA9RH13TBYTD6ZS/cp029.jpg Shop - Drawings #13-44 - drawing #29, 2020 - cp029.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-b8z2r-phjtm monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644897094729-PRO1L0NA7ZPW5G0P294I/cp030.jpg Shop - Drawings #13-44 - drawing #30, 2020 - cp030.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-ntm3d monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644897277227-SBH5GWNZUU6M5QU2XHWD/cp034.jpg Shop - Drawings #13-44 - drawing #34, 2020 - cp034.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-b8z2r-ybk6g monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1644897346009-UDCG3YRZU6L5NHFDXSCW/cp037.jpg Shop - Drawings #13-44 - drawing #37 - cp037.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-b8z2r-5eze9-4gfgs-4js8j monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1645285829427-8JWS2LSIUTXCJB0PEHLZ/cp042.jpg Shop - Drawings #13-44 - drawing #42, 2020 - cp042.jpg https://www.carrieperreault.com/shop-drawings-13-44/drawing-13-2020-dt6g9-rn3j7-bz3cs-hs24w-b8z2r-5eze9-4gfgs-4js8j-x8y94 monthly 0.5 2026-10-21 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1645285889009-1V6HPB6ABB6G1U470O72/cp043.jpg Shop - Drawings #13-44 - drawing #43, 2020 - cp043.jpg https://www.carrieperreault.com/shop-emovere daily 0.75 2026-10-21 https://www.carrieperreault.com/shop-emovere/connector-4-inch monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1712611987513-KAXBDCC3FM1WF31BPYT3/Connector+4+inch.jpg Shop - Emovere - Connector - 4 inch - Connector 4 inch.jpg https://www.carrieperreault.com/shop-emovere/connector-4-inch-stbbm monthly 0.5 2026-10-22 https://images.squarespace-cdn.com/content/v1/544a98f9e4b0e87b24dff0d1/1712612314653-Z78LICBS62KNFUDSAEJV/Connector+5+inch.jpg Shop - Emovere - Connector - 5 inch - Connector 5 inch.jpg https://www.carrieperreault.com/shop-emovere/connector-4-inch-stbbm-erk2p monthly 0.5 2026-10-22 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